Adobe Creative Suite 6 Production Premium DSLR Editing At A Glance for Video .... Adobe Illustrator, Adobe Audition, Ado
Adobe Creative Suite 6 Production Premium DSLR Editing At A Glance for Video Professionals
Editing DSLR footage with Adobe® Creative Suite® 6 Production Premium Jump into the creative—and enjoyable—parts of video editing faster with Adobe Creative Suite CS6 Production Premium, available for both Mac and Windows. With native support for DSLR cameras in Adobe Premiere® Pro CS6, edit video immediately with no conversion or long render times. Adobe Premiere Pro CS6 acts as the hub of your production workflow, combining a sleek, professional user interface; blazing fast performance; and a host of powerful creative features. Quickly stabilize shaky shots with Warp Stabilizer directly within Adobe Premiere Pro CS6. Freely mix DSLR footage with anything from low-resolution to Canon Cinema EOS C300 and RED SCARLET-X 5K footage, finesse your work with dynamic timeline trimming, handle unlimited multicam angles, and eliminate rolling shutter artifacts. Tight integration with other Adobe Creative Suite 6 Production Premium software components empowers you with speed and reliability that lets your creative storytelling emerge. Adobe Creative Suite 6 Production Premium combines: r"EPCF1SFNJFSF1SP$4 r"EPCF"ƮFS&ƨFDUT¡$4 r"EPCF1IPUPTIPQ¡$4&YUFOEFE r"EPCF"VEJUJPO¡$4 r"EPCF4QFFE(SBEF$4 r"EPCF1SFMVEF$4 r"EPCF*MMVTUSBUPS¡$4 r"EPCF&ODPSF¡$4 r"EPCF'MBTI¡$41SPGFTTJPOBM "EEJUJPOBMDPNQPOFOUT r"EPCF%ZOBNJD-JOL r"EPCF.FEJB&ODPEFS$4 rNPDIBGPS"ƮFS&ƨFDUT r"EPCF#SJEHF$4
Top 10 Reasons to use Adobe Creative Suite Production Premium Native support for DSLR footage Edit video from the latest DSLR cameras, including Canon EOS 5D Mark II, 7D, 1D X, and 60D; Nikon D4, D90, D800/D800E , D3100, D7000 cameras; RED SCARLET-X; and more. Instead of converting files to a proprietary codec, Adobe Premiere Pro lets you work with the original camera files natively, so you preserve the original source file’s pristine quality and don’t waste valuable time transcoding or rewrapping. While other NLEs can take hours until footage is ready to edit, Adobe Premiere Pro only needs seconds. No transcoding also means there’s no need to manage separate proxy files, track multiple copies of your media, or expend disk space on them. Plus, when you need a to take closer look at your footage, you can drop clips right off the camera’s memory card and into the timeline. This is a big boost for speed and quality as you can check how your footage will cut together while you’re still in the field. You can even check video quality with the built-in waveform monitor and vectorscope inside Adobe Premiere Pro.
Open timeline enables DSLR footage to be mixed with other formats Adobe Premiere Pro can play back many DSLR formats in real-time and also offers native support for other top formats. Edit the latest tapeless formats, including Canon Cinema EOS C300, ARRIRAW, AVCCAM, AVC-Intra, Canon XF, DPX, P2, RED (including RED SCARLET-X and RED EPIC 5K footage), XDCAM, and XDCAM HD 50, all without transcoding or rewrapping. Import still-image files in major formats, including PSD, BMP, GIF, EPS, JPEG, PCX, PICT, PNG, and TIFF. Export in BMP, GIF, TARGA, and TIFF formats. Freely mix clips with different frame rates, aspect ratios, and frame sizes in the same sequence with real-time performance on most systems.
Industry-leading, cross-platform performance Optimized for today’s blazingly fast multi-core CPUs, the native 64-bit, GPU-accelerated Mercury Playback Engine provides unprecedented performance and rock-solid stability in Adobe Premiere Pro CS6. Open projects rapidly and smoothly play and scrub through multi-layer, effects-rich sequences. Experience significant performance gains with or without a GPU, or add a qualified NVIDIA graphics card to get extraordinary performance boosts. New support for the OpenCL-based AMD Radeon HD 6750M and AMD Radeon HD 6770M graphics card on certain Apple MacBook Pro computers brings improved mobile workflows to Mac users. Support for new NVIDIA Maximus dual-GPU configurations delivers even more extreme performance for tackling the most demanding workflows. Native 64-bit OS support in Adobe Premiere Pro, After Effects, Photoshop Extended, Encore, and Adobe Media Encoder enables you to make the best use of all available RAM on your system, so it’s easier than ever to edit complex sequences at HD or higher resolutions, work with high-resolution stills, and output your finished content in virtually any video or device format faster than ever.
Intuitive, precise editing tools
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Edit the way you want to with widely accepted, customizable NLE keyboard shortcuts and powerful, intuitive trimming and editing tools that give you more precision and control. Adobe Premiere Pro offers an extensive effects collection, letting you create high-quality visual and editorial effects directly within the timeline. Finesse your edit with the revamped three-way color corrector, which makes it easier to manage the color in your shots, thanks to intuitive primary and secondary color correction. With auto-color adjustment, you can instantly improve your video image quality with effects like those in Adobe Photoshop, including Auto Color, Auto Contrast, and Shadows/Highlights. Use the powerful Ultra® vector keyer.
Warp Stabilizer and Rolling Shutter Repair for uneven footage Shooting handheld DSLR footage can often give you shaky results with distracting motion artifacts. The powerful Warp Stabilizer feature in Adobe Premiere Pro and After Effects provides an innovative solution that makes hand-held footage look as if it’s been shot with a complicated, expensive camera rig. Warp Stabilizer can even use pixel analysis to resolve artifacts related to motion and parallax. The new Rolling Shutter Repair effect allows you to correct distortion artifacts such as wobble and smear that can result from scanning a CMOS imaging sensor vertically or horizontally during recording.
Boosted efficiency with unparalleled Adobe integration Adobe Premiere Pro is deeply integrated with other Adobe Creative Suite 6 Production Premium components, so you can effortlessly move assets between it and Adobe Photoshop Extended, Adobe Illustrator, Adobe Audition, Adobe Prelude, and Adobe SpeedGrade software. Adobe Dynamic Link saves you valuable time by eliminating the need for intermediate renders, enabling you to exchange assets and open sequences in Encore and After Effects, where changes made in one application are automatically reflected in the other program and vice versa. Import Photoshop files that contain video without rendering them first. Control how they look by choosing which layers to import and how to import them. Apply keyframeable Photoshop blend modes to clips on the timeline. Tight integration with After Effects means you have a motion graphics and visual effects powerhouse at your fingertips, while the ability to integrate with Adobe SpeedGrade CS6 lets you make short work of demanding color grading tasks.
Cross-platform, interoperability with Final Cut Pro and Avid software With an open approach and broad format support in Adobe Premiere Pro, you can collaborate more efficiently with colleagues by easily importing and exporting projects regardless of format. Perform roundtrip editing with content from Apple Final Cut Pro 7, Avid Media Composer, and Avid Pro Tools software.
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Video professionals often say that audio is half the picture. To complete your edit you’ll find useful audio effects, flexible new audio track options, and a redesigned audio mixer along with support for VST plug-ins built into Adobe Premiere Pro. For advanced audio tasks, get a fast, flexible roundtrip audio workflow with Adobe Audition CS6. Pass individual audio clips and multitrack mixes, or even renderings of complete video sequences, between Adobe Premiere Pro and Adobe Audition for editing and sweetening sound effects, dialogue, and music. Use the Merge Clips feature in Adobe Premiere Pro, which provides dual-system sound support, to quickly match audio and video tracks originally recorded on separate devices and media.
Efficient multiscreen delivery Reach audiences wherever they are and on whatever device they use to watch video content. Batch encode in the background to a broad selection of device and video formats using the streamlined, 64-bit Adobe Media Encoder. Customizable presets simplify your encoding workflow. With 64-bit Adobe Encore, deliver DVDs, high-definition Blu-ray Discs, and interactive web DVDs. Create professional quality menus inside Encore, or leverage the advanced features of After Effects or Photoshop for more complex or animated motion menus. Adobe Systems Incorporated 345 Park Avenue San Jose, CA 95110-2704 USA www.adobe.com
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