Inner Voices, Inner Music: The Phenomenology of Auditory Verbal and Musical Hallucinations Holgate Conference Centre, Grey College, Durham University 17-‐18 September 2014 Wednesday 17 September 10:30
Morning refreshments and registration
10:45
Welcome from the Convenors and Video Messages
Charles Fernyhough (Durham Unviersity), “Inner speech and inner music: What is the relation?” Joel Krueger (University of Exeter), “Phenomenological approaches to musical experience” Martyn Evans (Durham University), “Sotto voce ma sempre obbligato: living with musical intrusions” Lunch
11:00
12:45 1:45
Jonathan Berger (Stanford University), “Sleuthing and sonifying musical hallucinations”
James Kennaway (Newcastle University), “The Prehistory of Musical Hallucinations” 3:30
Coffee
4:00
Diana Deutsch (University of California, San Diego) (via Skype) “The phenomenology of musical hallucinations”
5:00
Edward Wickham (The Clerks)
“Phantom Voices: A History of Music in Five Hauntings -‐ Introduction” 5:25
The Clerks Performance
6.15
Close
7.30
Dinner (Grey College Dining Room)
Thursday 18 September 9 :00
Discussions (small group break-‐out sessions on key questions arising from Day 1)
10:45
Coffee
11:15
Chris Chafe (Stanford University), “Probing inner sound via crowd-‐sourced self reports” Victoria Williams (Sheffield University), “Earworms -‐ tunes that get stuck in the head: Stories, suspects and solutions”
12:45
2:00
Lunch Ben Alderson-Day (Durham University), “Cognitive neuroscience of auditory verbal hallucinations” Tuomas Eerola (Durham University), “Relevance of musical hallucinations to music perception” Sukhbinder Kumar (Newcastle University), “Musical hallucinations: mechanism and neural basis”
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