made in italy

made in italy

2011 general catalogue 2007 “For the painter, no longer existing are colored objects but outcomes of compositions of pastes. What for you is a delightful flower (as notion or a part of sentiment) for me is a chord based on pink lake, pale blue on white and sallow yellow slightly cooled by emerald. Yet not ceasing to remain a flower”. Gianni Maimeri, Treatise on Painting, 1933

We thank all of our employees who, with their professionalism, commitment and dedication, have contributed to the excellent reputation that Maimeri products have worldwide. in cover, Gianni Maimeri, Self-portrait (detail), 1916, oil on canvas, cm 50x41 Fabio Pietrantonio, Guerriero di pace (detail), mixed technique on canvas

“Keep everything that is not necessary out of the painting, everything that is not felt” Gianni Maimeri, The diary October 31 1905

Superior Oil Colours Oil and pure pigment, nothing else. The product of a dream and of outstanding technical achievement, Maimeri Puro superior oil colours are the most advanced and yet the most traditional of oil colours. Restoring the outstanding simplicity and quality of original oil colours to paint formulas: that was the dream of painter and paint manufacturer Gianni Maimeri, though his dream which did not take

Maimeri Puro on concrete form as paste in a tube until three generations down the line. Striving for simplicity and purity, putting years of technical experience to work, Maimeri’s company came up with the formulas for the 80 colours in this range one by one. Using the best quality safflowerpoppy seed oils that will not yellow and stable pigments which require no additives to produce a perfect impasto, Puro offers top quality, the perfect manufacturing process and the correct balance between binder and pigment. Squeeze a tube of Maimeri Puro, and you’re squeezing the very idea of oil colours.

Maimeri Puro

00 = superior oil colours,complete range 80 colours in 6 price groups

All colours

Whites

12 = 40 ml tube

22 = 150 ml tube Sales unit 3 pieces

Sales unit 3 pieces

018

020

053

054

060

081

082

083

084

102

103

105

HHH

gr. 1

106

HHH

gr. 1

181

HHH

gr. 3

278

HHH

Titanium White

Naples Yellow Reddish

Garnet Lake

Burnt Sienna

Titanium Dioxide PW6

Zinc Oxide PW4 Anthraquinone PO43

Quinacridone PV19 Dioxazine PV23

Original Natural Earth calcinata PBr7

HHH

gr. 1

107

HHH

gr. 1

182

HHH

gr. 3

296

HHH

Zinc White

Naples Yellow Deep

Rose Lake

Green Earth

Zinc Oxide PW4

Zinc Oxide PW4 Synthetic Iron Oxide PY42

Quinacridone PV19

Natural Earth PG23

HHH

gr. 3

109

HHH

gr. 3

191

HHH

gr. 1

309

HHH

gr. 1

gr. 1

gr. 4

Avignon Orange

Nickel Titanate Yellow

Red Ochre

Cadmium Green Light

Quinacridone PR 206

Antimony-Nickel-Titanium Oxides PY53

Natural Earth PY43

Cadmium Sulphide PY35 Chlorinated Phthalocyanine PG7

HHH

gr. 4

116

HHH

gr. 2

224

HHH

gr. 4

310

HHH

Cadmium Orange

Primary Yellow

Cadmium Red Orange

Cadmium Green Deep

Cadmium Sulphoselenide PO20

Arylide Yellow PY97

Cadmium Sulphoselenide PR108


HHH

gr. 1

125

HHH

gr. 3

226

HHH

gr. 4

316

HHH

Mars Orange

Orange Lake

Cadmium Red Light

Cobalt Green Light

Synthetic Iron Oxide PY42+PR101

Anthraquinone PO43


Cobalt-Titanium Oxides PG50

HHH

gr. 4

128

HHH

gr. 3

228

HHH

gr. 4

317

HHH

Cadmium Yellow Light

Golden Lake

Cadmium Red Medium

Cobalt Green Deep

Cadmium Sulphide PY35

Synthetic Iron Oxide PY42



HHH

gr. 4

131

HHH

gr. 1

232

HHH

gr. 4

322

HHH

Cadmium Yellow Lemon

Yellow Ochre

Cadmium Red Deep

Cupric Green Light


Natural Iron Oxide PY43


Brominated Phthalocyanine PG36

HHH

gr. 4

132

HHH

gr. 1

248

HHH

gr. 1

324

HHH

Cadmium Yellow Medium

Yellow Ochre Light

Mars Red

Cupric Green Deep



Synthetic Iron Oxide PR101

Chlorinated Phthalocyanine PG7

HHH

gr. 4

134

HHH

gr. 1

250

HHH

gr. 2

325

HH

Cadmium Yellow Deep

Golden Ochre

Transparent Mars Red

Hooker’s Green


Natural Earth PY43


Diarylide Yellow PY83 Phthalocyanine Beta PB15:3

HHH

gr. 1

162

HHH

gr. 1

256

HHH

gr. 2

333

HHH

Mars Yellow

Raw Sienna Light

Primary Red - Magenta

Green Gold


Original Natural Earth PBr7

Quinacridone PV19

Arylide Yellow PY97 Brominated Phthalocyanine PG36

HHH

gr. 2

163

HHH

gr. 1

261

HHH

gr. 3

336

HHH

Transparent Mars Yellow

Raw Sienna Deep

Tiziano Red

Verde Chromium Oxide


Original Natural Earth PBr7 Calcined Original Natural Earth PBr7

Quinacridone PR209

Chromium Oxide PG17

HHH

gr. 1

174

HHH

gr. 3

263

HHH

gr. 3

348

HHH

Naples Yellow Light

Crimson Lake

Sandal Red

Viridian

Zinc Oxide PW4 Arylide Yellow PY97 Synthetic Iron Oxide PY42

Quinacridone PR122 Quinacridone PR 206

Pyrrole-pyrrole PR254

Hydrated Chromíum Oxide PG18

gr. 4

gr. 5

gr. 5

gr. 2

gr. 2

gr. 2

gr. 2

gr. 2

gr. 3

350

356

359

368

373

374

377

391

HHH

gr. 2

392

HHH

gr. 2

452

HHH

gr. 6

493

HHH

Turquoise Green

Ultramarine Deep

Cobalt Violet Deep

Raw Umber

Phthalocyanine PB16

Sodium Polysulphide-AluminosilicatePB29

Cobalt Phosphate PV14

Natural Earth PBr7

HHH

gr. 2

400

HHH

gr. 2

459

HHH

gr. 1

507

HHH

Emerald Green

Primary Blue - Cyan

Mars Violet

Warm Grey

Zinc Oxide PW4 Brominated Phthalocyanine PG36

Phthalocyanine Beta PB15:3


Titanium Dioxide PW6 Zinc Oxide PW4 Synthetic Iron Oxide PBk11

HHH

gr. 2

405

HHH

gr. 2

460

HHH

gr. 3

510

HHH

gr. 1

gr. 1

gr. 1

Berlin Blue

King’s Blue Light

Mineral Violet

Cool Grey

Phthalocyanine alfa PB15:1

Zinc Oxide PW4 Titanium Dioxide PW6 Cobalt Aluminium-Chromium Oxides PB36

Manganese Ammonium Pyrophosphate PV16

Titanium Dioxide PW6 Zinc Oxide PW4 Sodium Polysulphide-Aluminosilicate PB29

HHH

gr. 6

407

HHH

gr. 2

473

HHH

gr. 2

513

HHH

Cerulean Blue

King’s Blue Deep

Verzino Violet

Neutral Grey

Cobalt Aluminium-Chromium Oxides PB36

Zinc Oxide PW4 Titanium Dioxide PW6 Cobalt-Aluminium Oxides PB28

Quinacridone PR122

Titanium Dioxide PW6 Zinc Oxide PW4 Synthetic Iron Oxide PBk11

HHH

gr. 5

409

HHH

gr. 2

476

HHH

gr. 1

514

HHH

gr. 1

gr. 1

Cobalt Blue Light

Green Blue

Mars Brown

Payne’s Grey

Cobalt-Aluminium Oxides PB28

Chlorinated Phthalocyanine PG7 Phthalocyanine Beta PB15:3

Synthetic Iron Oxide PR101PBk11

Sodium Polysulphide-AluminosilicatePB29 Bone Black PBk9

HHH

gr. 5

436

HHH

gr. 2

477

HHH

gr. 2

535

HHH

Cobalt Blue Deep

Violet Lake

Transparent Mars Brown

Ivory Black


Dioxazine PV23


Bone Black PBk9

HHH

gr. 2

440

HHH

gr. 2

484

HHH

gr. 1

537

HHH

gr. 1

gr. 1

gr. 1

Faience Blue

Ultramarine Violet

Vandyke Brown

Carbon Black

Anthraquinone PB60

Sodium Polysulphide-AluminosilicatePV15

Calcined Original Natural EarthPBr7 Bone Black PBk9

Carbon Black PBk7

HHH

gr. 2

451

HHH

gr. 6

492

HHH

gr. 1

540

HHH

Ultramarine Light

Cobalt Violet Pale

Burnt Umber

Mars Black

Sodium Polysulphide-AluminosilicatePB29

Cobalt Ammonium Phosphate PV14

Calcined Natural Earth PBr7

Synthetic Iron Oxide PBk11

0099101 ARTE BEECHWOOD BOX 25x35 cm Cardboard box Metal dividers Palette 12 assorted 20 ml tubes 2 white bristle brusches 1 safflower oil 75 ml bottle 2 charcoal box

“Keep everything that is not necessary out of the painting, everything that is not felt”

Oil Colours This line of oil colours offers the tonalities of the master artists of the Italian Renaissance: in paint composition, in grinding pigments and in the use of rare semi-drying oils, non-yellowing and crystal clear. Many pigments in this range correspond to the ancient originals; others replace,

Gianni Maimeri, The diary October 31 1905

in calibrated and perfect imitation, compounds of heavy metals that, being toxic, harmful

Rinascimento or polluting, should no longer be used. This also provides for safe mixtures of colours, eliminating any risk of alteration. Research into ancient pigments made it possible to select the finest and most stable colours, eliminating problems with incompatible substances once hard to mix.

Rinascimento

00 = oil colours, complete range 11 colours at a sole price

All colours

00 = 40 ml tube

Sales unit 3 pieces in 3 price groups

022

HHH

gr. 8

gr. 9

Ceruse Titanium Dioxide PW6

108

HHH Vasari Yellow


169

HHH

gr. 9

gr. 9

Kermes Lake Anthraquinone PR83

217

HHH Paris Red


281

HHH

gr. 9

Vermillon Cadmium Sulphoselenide PR108

314

HHH

gr. 10

Greek Green Cobalt-Titanium Oxides PG50

349

HHH

gr. 10

Malachite Green Hydrated Chromíum Oxide PG18

379

HHH

gr. 9

Murano Blue Cobalt-Aluminium Oxides PB28

401

HHH

gr. 8

Michelangelo Blue Sodium Polysulphide Aluminosilicate PB29

478

HHH

gr. 8

gr. 8

Mummy Gilsonite NAT.Bk6

538

HHH Bistre Carbon Black PBk7

“ There’s a strong link between technique and subject” Gianni Maimeri, The diary December 29 1905

Extrafine oil colours Tradition and innovation. The qualities of the components and workmanship that go into Artisti oils combine harmoniously to yield a product that represents the best of both tradition and innovation. The impastos offer the average drying rate typical of oil painting to permit optimum use of blending and allow the artist to take up the paints again and continue work. The line offers a vast palette of 106 colours, including a number of authentic historical

Artisti pigments such as Flake White and Zinc White, Aureolin and true Sienna Earth, Prussian Blue, Manganese Violet, and Bitumen. Maimeri’s decision to continue producing valuable classic pigments which are all but impossible to find these days means that the artist must comply with the ancient basic rules of mixing. The less lightfast pigments, and especially those which are hazardous to the health, have recently been replaced with synthetic pigments guaranteeing comparable colour purity with improved stability and safety. The few colours still considered to some degree damaging to the health, obviously to be used with due precautions, are always marked with the “harmful” symbol.

Artisti

01 = Traditional Oil Colours, complete range 102 colours in 8 price groups

All colours

All colours

Whites

Whites

02 = 20 ml tube

06 = 60 ml tube


34 = 500 ml can Sales unit 3 pieces

Sales unit 6 pieces

012

018

HHH

Sales unit 3 pieces

gr. 1

083

HHH

gr. 1

084

HHH

gr. 1

091

HHH

HHH

gr. 1

092

gr. 1

094

082

124

gr. 6

098

HH

gr. 4

126

HH

HH

HHH

gr. 5

177

gr. 4

178

HHH

gr. 1

179

HHH

HH

HHH

gr. 1

181

HHH

Yellow Ochre Light

Garnet Lake

Diarylide Yellow PW83 Titanium Dioxide PW6 Benzimidazolone PO36

Natural Iron Oxide PY43 Synthetic Iron OxidePY42


gr. 4

133

HHH

gr. 1

183

HHH

Indian Yellow

Yellow Ochre Pale

Magenta Lake

Anthraquinone PO43

Benzidine Yellow PY17 Diarylide Yellow PY83 Anthraquinone PO43

Zinc Oxide PW4 Natural Iron Oxide PY43 Synthetic Iron OxidePY42

Quinacridone PR122 Dioxazine PV23

HHH

gr. 4

102

HHH

gr. 4

134

HHH

gr. 1

184

HHH

Mars Orange

Mars Yellow

Golden Ochre

Solferino Lake


Synthetic Iron OxidePY42

Natural Iron Oxide PY43 Natural Iron Oxide PY43


HHH

gr. 5

105

HHH

HHH

gr. 4

159

Naples Yellow Light

Zinc Oxide PW4 Arylide Yellow PY97 Synthetic Iron OxidePY42

gr. 5

106

HHH

gr. 5

162

HH

gr. 4

191

HHH

Yellow Stil de Grain

Red Ochre

Hansa Yellow GP Y1 Sodium Polysulphide-Aluminosilicate PB29 Carbon Black PBk7

Synthetic Iron OxidePR101 Natural Iron Oxide PY43

HHH

gr. 6

gr. 6

gr. 5

gr. 5

gr. 5

gr. 5

gr. 1

gr. 4

Quinacridone PR122 Quinacridone PV19

Chrome Yellow Lemon (Hue)

HH

Geranium Lake


132

HH

Anthraquinone PR83 Quinacridone PV19 Dioxazine PV23

Yellow Ochre

gr. 4

gr. 6

Permanent Madder Deep

Original Natural Earth PBr7 Natural Earth PY43 Bone Black PBk9

131

Quinacridone PR122 Diarylide Yellow PY83

Raw Bergamo

gr. 4

Antique Rose (Alizarin) Madder

Benzidine Yellow PY17 Diarylide Yellow PY83 Calcined Original Natural Earth PBr7

HH

Quinacridone PR122 Benzidine Yellow PY17


176

Rose (Alizarin) Madder

Gamboge (Hue)

HH

gr. 4

Indanthrene Orange

Zinc Oxide PW4 Titanium Dioxide PW6 Arylide Yellow PY97

081

gr. 7

Titanium Dioxide PW6 Hansa Yellow 10G PY3

Brilliant Yellow Light

080

Giallo di cromo limone (Hue)

Zinc Oxide PW4 Titanium Dioxide PW6

076

Cadmium Yellow Deep

Titanium Dioxide PW6 Hansa Yellow G PY1

Super Rapid White

HHH

HH

Chrome Yellow Light (Hue)


075

Benzidine Yellow PY17

Super White

060

HH

Cadmium Sulphide PY35 Cadmium Sulphide PY35

Zinc Oxide PW4

058

122


Zinc White

026

gr. 7

Transparent Yellow


024


Titanium White

020

HHH

Flake White (Hue)

gr. 1

195

HHH

Brilliant Yellow Deep


Raw Sienna Light

Ultramarine Red


Zinc Oxide PW4 Titanium Dioxide PW6 Benzimidazolone PO36


Sodium Polysulphide-Aluminosilicate PV15

HHH

gr. 7

107

HHH

gr. 5

163

HHH

gr. 1

212

HHH

Cadmium Orange

Naples Yellow Deep

Raw Sienna Deep

Quinacridone Rose



Original Natural Earth PBr7 Calcined Original Natural Earth PBr7 Chromium Oxide PG17

Quinacridone PV19

HHH

gr. 7

109

HHH

gr. 5

167

HH

gr. 6

224

HHH

gr. 6

gr. 8



Permanent Carmine

Cadmium Red Orange



Anthraquinone PR83


HHH

Cadmium Yellow LemonCadmium Sulphide PY35

gr. 7

112

HH

gr. 4

175

HH

gr. 6

226

HHH

Permanent Yellow Lemon

Madder (Alizarin) Light

Cadmium Red Light

Hansa Yellow 10G PY3

Anthraquinone PR83 Quinacridone PR122 Anthraquinone PO43


gr. 8

228

230

232

244

HHH

gr. 8

296

HHH

gr. 8

297

gr. 1

392

HHH

gr. 4

HHH

gr. 8

307

HHH

gr. 7

402

HHH

Cadmium Green

Prussian Blue


Cadmium Sulphide PY35 Phthalocyanine Beta PB15:3 Chlorinated Phthalocyanine PG7

Ferric Ferrocyanide PB27

gr. 1

317

HHH

HHH

HHH

HHH

HHH

gr. 4

336

gr. 6

339

gr. 4

340

gr. 1

348

gr. 1

356

gr. 1

358

gr. 4

368

Hansa Yellow G PY1 Phthalocyanine Beta PB15:3

gr. 4

Cinnabar Green Yellowish

373

Hansa Yellow G PY1 Sodium Polysulphide-Aluminosilicate PB29

gr. 4

Cinnabar Green Deep

374

Sodium Polysulphide-Aluminosilicate PB29 Hansa Yellow 10G PY3 Hansa Yellow G PY1

HH

gr. 5

Green Lake

378

Chlorinated Phthalocyanine PG7 Hansa Yellow G PY1 Diarylide Yellow PY83

HHH

410

HHH

gr. 4

Ultramarine Green Sodium Polysulphide-Aluminosilicate PB29 Chlorinated Phthalocyanine PG7

380

HHH

HHH

gr. 4

436

HH

gr. 4

440

HHH

gr. 5

451

HHH


gr. 6

452

HHH

Viridian

Cobalt Violet Deep

Chromium Oxide idrato PG18


gr. 4

454

HHH

Emerald Green

Indanthrene Violet

Zinc Oxide PW4 Chlorinated Phthalocyanine PG7 Hansa Yellow 10G PY3

Quinacridone PR122 Quinacridone PV19 Dioxazine PV23

HH

gr. 4

458

HHH

Sap Green

Manganese Violet

Chlorinated Phthalocyanine PG7 Diarylide Yellow PY83 Anthraquinone PR83


HHH

gr. 7

459

HHH

Cerulean Blue

Mars Violet

Ossidi di cobalto alluminio e cromo PB36

Synthetic Iron OxidePR101

HHH

gr. 7

466

HHH

Cobalt Blue Light

Quinacridone Violet


Quinacridone PR122

HHH

gr. 7

470

HH

Cobalt Blue Deep

Bitumen

Cobalt-Aluminium Oxides PB28 Cobalt-Aluminium Oxides PB28

Gilsonite NAT.Bk6

HHH

gr. 4

474

HH

492

476

HHH

gr. 1

gr. 1

gr. 1

gr. 4

gr. 1

gr. 4

Indanthrene Blue

Mars Brown

Anthraquinone PB60


493

HHH

gr. 8

Natural Earth PBr7 Chromium Oxide PG17

535

HHH Bone Black PBk9

gr. 8

540

HHH

gr. 5

555

HHH

Bone Black PBk9 Sodium Polysulphide-Aluminosilicate PB29

gr. 6

gr. 4

gr. 6

gr. 1

gr. 6

Naphthol AS PR146 Diarylide Yellow PY83 Chlorinated Phthalocyanine PG7

gr. 5

HHH

Vine black


gr. 1

Synthetic Iron OxidePBk11

Brown Madder (Alizarin)

Mars Black

Phthalo Blue

HHH

HHH

Ivory Black

Sodium Polysulphide-Aluminosilicate PB29 Cadmium Sulphide PY35 Chlorinated Phthalocyanine PG7

HH

490

Raw Umber

Cobalt Violet Pale

gr. 4


Permanent Green Deep

HHH

Burnt Umber


gr. 5

HH

Natural Earth calcinata PBr7 Bone Black PBk9 Carbon Black PBk7

Cadmium Sulphide PY35 Cadmium Sulphide PY35 Chlorinated Phthalocyanine PG7

gr. 1

Cassel Earth

Ultramarine Violet

488

Dioxazine PV23 Anthraquinone PR83

gr. 6

Calcined Original Natural Earth PBr7 Bone Black PBk9 Carbon Black PBk7

Violet Lake

HHH

Anthraquinone PR83 Diarylide Yellow PY83 Chlorinated Phthalocyanine PG7

Permanent Green Light

HHH

484


gr. 5

gr. 1

Calcined Original Natural Earth PBr7 Original Natural Earth PBr7 Natural Earth PG23

Phthalo Blue Green

Chromium Oxide PG17

Cinnabar Green Light

HH

gr. 7

Chromium Titanium Oxide PG50

Calcined Original Natural Earth PBr7

HH

Chrome Oxide Green

Burnt Sienna

HH

Cobalt Green Deep

Synthetic Iron OxidePR101 Natural Earth PBr7

HHH

HHH

Brown Stil de Grain

Cadmium Red Deep

HHH

HHH

Vandyke Brown

Sodium Polysulphide-Aluminosilicate PB29

Pozzuoli Earth

294

Natural Earth PG23 Natural Earth PBr7 Chlorinated Phthalocyanine PG7

Synthetic Iron OxidePR101 Natural Earth calcinata PBr7 Synthetic Iron OxidePY42

290

HHH

482

Transparent Brown


Venetian Red

288

gr. 4

Ultramarine Deep

Anthraquinone PO43 Quinacridone PV19

287

Antique Green Earth

Red Lead (Hue)

286

Cadmium Red Purple

Quinacridone PV19

278

HHH


Quinacridone Red

276

390

Natural Earth PG23 Chlorinated Phthalocyanine PG7

Synthetic Iron OxidePR101

262

gr. 1


Mars Red

260

Ultramarine

Synthetic Iron OxidePR101 Sodium Polysulphide-Aluminosilicate PB29

258

Green Earth

English Red

248

HHH

Cadmium Red Mediumo

gr. 4

“ The painter must do as the poet or the musician does: speak; the word that calls up a world” Gianni Maimeri, The diary December 29 1905

fine oil colours The Artist’s daily bread and butter. Anyone professional or amateur – who picks up a tube of Classico oil paints will find in it just what they need. Classico fine oil colours are versatile, offering an unsurpassed price to quality ratio. These colours are produced by strict principles that yield a top quality product. They revolutionise the criteria by which a economical (rated “fine”) range is judged. They contain no waxes or thickeners, (no manufacturing

Classico shortcuts). The colour palette includes the best original natural earths and true cadmium pigments. Average pigment concentration is very high. Formulas are perfected to balance the drying times of all colours. Bright, lively colours with overall harmony in the palette, Classico colours are made with modern non-toxic, non-polluting pigments that improve lightfastness. All colours may be intermixed together in any ratio or proportion, without limits. All this thanks to Maimeri’s vast experience, summed up in an oil line that has proven to be so successful it has become the daily workhorse of a whole generation of artists.

Classico

03 = Extrafine Oil Colours, complete range 77 olours in 3 price groups

All colours

All colours

All colours

Reduced range 30 colours marked by t

02 = 20 ml tubetto

06 = 60 ml tubetto

24 = 200 ml tubetto Sales unit 1 piece

34 = 500 ml can Sales unit 1 piece

Sales unit 6 pieces

018

019

020

026

075

HHH

Sales unit 3 pieces

t

gr. 1

106

gr. 2

276

HHH

gr. 1

t

gr. 1

gr. 2

t

gr. 2

Synthetic Iron Oxide PR101 Natural Earth PR101 Calcined Natural Earth PBr7

HHH

t

gr. 2

107

HHH

gr. 2

214

HHH

gr. 2

278

HHH

Titaniumzinc White

Naples Yellow Deep

Quinacridone Rose Light

Burnt Sienna


Zinc Oxide PW4 Synthetic Iron Oxide PY42 Arylide Yellow PY97

Zinc Oxide PW4 Quinacridone PR122

Original Natural Earth calcinata PBr7

HHH

t

gr. 2

110

HHH

Zinc White

Permanent Orange


Benzimidazolone PO62 Anthraquinone PO43

HHH

t

gr. 2

111

HHH

t


Arylide Yellow PY97 Titanium Dioxide PW6

gr. 2

112

HHH

HHH

HHH

gr. 2

114

gr. 3

116

HHH

gr. 1

248

gr. 3

131

HHH

t

gr. 2

249

t

gr. 1

251

Yellow Ochre

gr. 3

132

HHH

gr. 1

253

gr. 3

134

HHH

gr. 1

256

gr. 1

161

HHH

t

gr. 1

258


t

Naples Yellow Light Zinc Oxide PW4 Arylide Yellow PY97 Synthetic Iron Oxide PY42

gr. 3

167

HHH

gr. 3

Permanent Carmine Quinacridone PV19 Quinacridone PR206

285

t

gr. 2

262

HHH

Vermilion Deep (Hue)


Pyrrole-pyrrole PR254 Quinacridone PV19

HHH

gr. 3

286

HHH

HHH

HH

Hansa Yellow GPY1 Phthalocyanine BetaPB15:3

gr. 1

287

HH

Hansa Yellow GPY1 Sodium Polysulphide-Aluminosilicate PB29

gr. 2

288

HH

Cinnabar Green Deep

Anthraquinone PO43

Hansa Yellow GPY1 Phthalocyanine Alpha PB15:1 Benzimidazolone PO36

gr. 2

290

HHH

Permanent Red Light

Green Lake

Benzimidazolone PO36 Pyrrole-pyrrole PR254

Arylide Yellow PY97 Chlorinated Phthalocyanine PG7 Phthalocyanine BetaPB15:3

HHH

HHH

HHH

gr. 2

296

HHH

t

gr. 1

gr. 1

gr. 1

Green Earth Natural Earth PG23 Chlorinated Phthalocyanine PG7

t

gr. 2

307

HHH

t


gr. 3

321

HHH

t

Phthalo Green

Quinacridone PR209


Venetian Red Synthetic Iron Oxide PY42 Calcined Natural Earth PBr7 Synthetic Iron Oxide PR101

gr. 3

Cadmium Green

Quinacridone Red

HH

gr. 1

Cinnabar Green Yellowish

Permanent Red Orange

HHH

gr. 1


Quinacridone PR122

Raw Sienna

Arylide Yellow PY97 Anthraquinone PO43

t

Cadmium Red Medium


Natural Iron OxidePY43 Synthetic Iron Oxide PY42 Zinc Oxide PW4

Indian Yellow

Benzimidazolone PO36 Pyrrole-pyrrole PR254

Quinacridone PV19 Pyrrole-pyrrole PR254

Golden Ochre


HHH

HHH

Vermilion Light (Hue)

Permanent Red Deep

Yellow Ochre Light Natural Iron OxidePY43 Titanium Dioxide PW6 Synthetic Iron Oxide PY42

284


Natural Iron OxidePY43 Synthetic Iron Oxide PY42 Zinc Oxide PW4

gr. 3

Mars Red

Arylide Yellow PY97 Benzimidazolone PY175


Primary Yellow

HHH

HHH

Cadmium Red Deep

Arylide Yellow PY97 Isoindoline PY139 Titanium Dioxide PW6

Cadmium Yellow Deep

HHH

232

Permanent Yellow Deep


HHH

gr. 2

228

Benzimidazolone PY175


HHH

gr. 2



HHH

HHH

226


Permanent Yellow Light

HHH

gr. 2

Cadmium Red Light

Super Rapid White


105

Quinacridone PV19 Quinacridone PR206 Dioxazine PV23


098

HHH

Zinc Oxide PW4 Titanium Dioxide PW6 Anthraquinone PO43

Cadmium Orange

084

178


Zinc Oxide PW4 Isoindoline PY139 Arylide Yellow PY97

082

gr. 2

Pozzuoli Earth

Brilliant Yellow Deep

081

t


Zinc Oxide PW4 Benzimidazolone PY175

080


Brilliant Yellow Light

076

HHH

Titanium White

gr. 1

336

HHH

Chrome Oxide Green Chromium Oxide PG17

gr. 2

gr. 2

339

340

356

HHH

gr. 2

392

HHH

t

gr. 2

535

HHH


Dioxazine PV23

Bone Black PBk9 Carbon Black PBk7

HHH

gr. 1

400

HHH

t

gr. 2

465

HHH

gr. 2

540

HHH

t

gr. 1

gr. 1

gr. 2

gr. 2

gr. 2


Primary Blue - Cyan

Permanent Violet Reddish

Mars Black

Chlorinated Phthalocyanine PG7 Phthalocyanine Alpha PB15:1 Benzimidazolone PY175

Phthalocyanine Beta PB15:3 Phthalocyanine PB16



HHH

gr. 3

HHH

t

gr. 2

HHH

gr. 3

Cerulean Blue

402

405

408

HHH

t

gr. 1

Cobalt Blue Light (Hue)

gr. 2

t

410

414

448

gr. 1

003

HHH

Titanium Dioxide+Mica+ Synthetic Iron Oxide

HHH

gr. 3

488

HH

gr. 1

137

HHH

King’s Blue Light

Brown Stil de Grain

Light Gold

Zinc Oxide PW4 Cobalt Aluminium-Chromium Oxides PB36

Naphthol AS PR146 Diarylide Yellow PY833 Chlorinated Phthalocyanine PG7


HHH

HHH

gr. 2

490

HHH

gr. 2

492

HHH

t

Chlorinated Phthalocyanine PG7 Phthalocyanine BetaPB15:3


t

HHH

Cobalt Violet (Hue)



t

gr. 2

HHH

gr. 1

t

gr. 1

gr. 1

Natural Earth PBr7 Chromium Oxide PG17

gr. 2

514

HHH

HHH


Raw Umber

0398052 CARDBOARD BOX 5 x 60 ml tubes (Primary colours - White - Black)

0398100 PLASTIC BLISTER 10 x 20 ml tubes assorted

493

151

Deep Gold

Calcined Original Natural Earth PBr7 Bone Black PBk9 Calcined Natural Earth PBr7

Burnt Umber

HHH

gr. 1

Cassel Earth

Phthalo Blue Green

Ultramarine Light

0398051 CARDBOARD BOX 6 x 20 ml tubes (Primary colours - 2 Whites - Black)

t

Calcined Original Natural Earth PBr7 Bone Black PBk9 Carbon Black PBk7

Zinc Oxide PW4 Phthalocyanine BetaPB15:3

gr. 1


Sodium Polysulphide-Aluminosilicate PB29 Zinc Oxide PW4 Phthalocyanine Alpha PB15:1

HHH

Silver

Sky Blue

484

Vandyke Brown

Cobalt Blue Deep (Hue).

HHH

gr. 1

Prussian Blue

Zinc Oxide PW4 Phthalocyanine PB16 Chlorinated Phthalocyanine PG7

Sodium Polysulphide-Aluminosilicate PB29 Zinc Oxide PW4 Titanium Dioxide PW6

HHH

HHH

Turquoise Blue

Cobalt Aluminium-Chromium Oxides PB36 Phthalocyanine Alpha PB15:1

391

463

Benzimidazolone PY175 Chlorinated Phthalocyanine PG7 Titanium Dioxide PW6

Synthetic Iron Oxide PR101 Chlorinated Phthalocyanine PG7

371

gr. 1

Ivory Black

Sap Green

370

t

Permanent Violet Blueish

Zinc Oxide PW4 Benzimidazolone PY175 Phthalocyanine Beta PB15:3

368

Ultramarine Deep

Emerald Green

358

HHH


Payne’s Grey Sodium Polysulphide-Aluminosilicate PB29 Bone Black PBk9


Coarsely Ground Oil Colours The chromatic assortment of Coarsely ground Mediterranean. Colours is basic, because only a few essential tones are needed to render the magic of a harmonic motion. Pure and, one may say, fundamental, the colours of this light are in any case calibrated to capture every nuance and modulation needed for sunny,


luminous and natural painting. The grain size of these colours is larger than for other

Mediterraneo oil paints and paste density is thicker, with brushstrokes accentuated. The colour dried on the canvas damps the ray of light and softens tones, giving the surface a rugged feel. Mixable with other oil colours.

Mediterraneo

03 = coarsely ground oil colours, complete range 11 colours at a sole price

All colours


028

HHH

Santorini White Titanium Dioxide PW6

057

HHH

Trinacria Orange Benzimidazolone PO62

088

HHH

Vesuvius Yellow Antimony-Nickel-Titanium Oxides PY53

089

HHH

Damascus Yellow Benzidine Yellow PY17

213

HHH

Provence Rose Lake Quinacridone PR122

218

HHH

Sevilla Red Monoazoic PO5

315

HHH

Salento Green Hydrated Chromíum Oxide PG18

357

HHH

Green Obsidian from Pantelleria Ferrous Nitrous Beta Naphthol PG8

396

HHH

Ercolano Blue Cobalt Aluminium-Chromium Oxides PB36

397

HHH

Capri Blue Sodium Polysulphide-Aluminosilicate PB29

439

HHH

Grasse Violet Sodium Polysulphide-Aluminosilicate PV15


Oil Colours The Italian Natural Earth colours are created with pigments of antique origin that have always been used to make the colours that until a few years ago characterized the regional schools of painting throughout Italy. The colours of Roman houses, of Venetian palaces, of the Umbrian or Tuscan hill-towns.


The grain size of the dispersed pigment is larger than for traditional oil paints.

Terre grezze d’Italia The paste is denser, the appearance more opaque due to a different refraction of the light, the tone is more natural and the coat is thicker and more material. Italian Natural Earth colours can be mixed with other oil paints. Slight discontinuities in tone are a guarantee of the authenticity and naturalness of the product, which contains no additional colorants of organic synthesis.

Terre Grezze d’Italia

03 = oil colours, complete range 11 colours at a sole price

All colours


030

HHH

Terra bianca di Carrara Calcium Carbonate PW18

031

HHH

Orange Earth from Herculanum Natural Iron Oxide PY43

033

HHH

Yellow Earth from Rome Natural Iron Oxide PY43

034

HHH

Yellow Earth from Verona Natural Iron Oxide PY43

035

HHH

Raw Sienna Original Natural Earth PBr7

036

HHH

Venetian Red Earth Natural Iron Oxide PR101

037

HHH

Sardinian Red Earth Calcined Original Natural Earth PBr7

038

HHH

Burnt Sienna Calcined Original Natural Earth PBr 7

039

HHH

Green Earth from Verona Natural Earth PG23

040

HHH

Antique Green Earth from Verona Natural Earth PG23

041

HHH

Brown Earth from Florence Calcined Original Natural Earth PBr7

“ The painter must do as the poet or the musician does: speak; the word that calls up a world”

Oil Colours

Gianni Maimeri, The diary December 29 1905

high quality at a convenient price safety and respect

In Maimeri Olio has been perfected all the expertise gained in many years of work, free from binding precedents, aiming towards an element that changes one’s view of oil colours, completing an assortment of the existent with what had been lacking. 38 essential colours well balanced and with new pigments. for the environment. All toxic or harmful substances have been excluded from

Maimeri Olio the formulation, modern, efficient, useful . Composed of layers of plastic material coupled with an impenetrable and impermeable barrier, the tube is therefore exceptionally practical and manageable and, above all, extremely resistant. Average drying time for the range is less than for other oil colours, decreasing work time, freeing time spans, providing some savings and allowing for the use of painting techniques and utensils more in tune with acrylic colours while enjoying the brilliance of oil paints. The range includes 4 oil painting mediumsof new formulationn in the same 200-ml tube.

Maimeri Olio

05 = Oil Colours, complete range 38 colours at a sole price

All colours

24 = 200 ml tube Sales unit 3 pieces 018

020

HHH

191

Titanium Dioxide PW6 Sodium PolysulphideAluminosilicate PB29

Carbon Black PBk7

HHH

214

256

HHH

258

HH

131

132

161


400

HH

Primary Blue - Cyan

Naphthol AS PR 146


HH

402

HHH

HH

Hansa Yellow PY3

Monoazoic PO5

Monoazoic Strontium Salt PR 48:3

HH


Hansa Yellow PY1

Hansa Yellow PY1 Phthalocyanine Beta PB15:3

296

Green Earth


Natural Earth PG23

336

HHH

Yellow Ochre Light

Chrome Oxide Green

Synthetic Iron Oxide PY42 Titanium Dioxide PW6

Chromium Oxide PG17

356

HHH

HH

Impasto oil medium matt

HHH Synthetic Iron Oxide PR101 Synthetic Iron Oxide PBk11

HHH

852

Impasto oil medium gloss

Synthetic Iron Oxide PR101 Synthetic Iron Oxide PBk11

492

HHH Burnt Umber Calcined Original Natural Earth PBr7

493

Mars Brown

Permanent Carmine

Sap Green

Monoazoic calcium salt PR57:1

Ferrous Nitrous Beta Naphthol PG8

853

HHH Natural Earth PBr7

514

HHH

Impasto oil medium coarse

Raw Umber


358

851

Vandyke Brown

Emerald Green


HH

HHH

HHH Dioxazine PV23

484

HHH

Yellow Ochre

HHH

HHH

Cobalt Violet (Hue)

476

Primary Yellow

HHH

Oil painting primer

Titanium Dioxide PW6 Phthalocyanine Beta PB15:3

448

HH

Hansa Yellow PY1 Disazoic PO13

286

Sky Blue

Carbon Black PBk7 Phthalocyanine Alpha 15:1


850

HHH

Indigo


HH


422

HHH Prussian Blue

414


285

HHH



HH

Sodium PolysulphideAluminosilicate PB29


284

HHH

Titanium Dioxide PW6 Quinacridone PV19

Hansa Yellow PY1 Disazoic PO13

540

Mars Black

Burnt Sienna

HH

HHH

Ultramarine Light

Permanent Orange

Raw Sienna

167

391


Monoazoic PO5 Monoazoic Strontium Salt PR 48:3

278

HH

HHH

Quinacridone Red

Titanium Dioxide PW6 Disazoic PO13

116



114

HHH



112

535

Ivory Black

Naples Yellow Light

110

HHH


Zinc Sulphide PW7

106

370

Red Ochre

Zinc White

105

HHH

Titanium White

Payne’s Grey Sodium Polysulphide-Aluminosilicate PB29 Synthetic Iron Oxide PBk11


Oil Colours New colours have entered the imagination of the contemporary and younger generations, they are the hues of a colourful dreamscape. They are the colours of video, of high-definition, of the liquid crystals of the virtual. Maimeri HD, 30 oil colours mostly based on high concentrations of organic-synthesis pigment. So the colours aren’t opaque


and muted but have luminosity and vibrant transparency. Thanks to their composition and grinding,

HD HD oil colours allow light to pass in a diffused fashion. They have properties the opposite of opacity. They are limpid, translucent. All the tints in the range are devoid of substances considered hazardous for humans and the environment.

HD

06 = Oil Colours, complete range 30 colours at a sole price

All colours


570

571

HHH

582

BLACK HACKER

Chromium Oxide PG17

Carbon Black PBk7

HHH

583

584

HHH MOON WHITE Titanium Mica

585

HH LIFE YELLOW

575

576

577

578

579

580

STURDUST PURPLE Titanium Mica

597

HH

STARDUST BLUE

Hansa Yellow 10G PY3 Phtalocyanine Beta PB15.3

Titanium Mica

HHH

557

HH

Ferrous Nitroso Beta Naphtol PG8

587

HHH


H FLASH MAGENTA Fluorescent Dye fixed on Resin

599

HHH HEAVY METAL

598

Hansa Yellow G PY1

HHH

LUCKY GREEN

RESET GREEN

HH

HHH

Hansa Yellow 10G PY3 Chlorinated Phtalocyanine PG7

CAUTION YELLOW

H

TILT YELLOW

NOBLESSE BLUE

FLASH YELLOW

Diarylide Yellow PY83

Phtalocyanine Alpha PB15:1

Fluorescent Dye fixed on Resin

588

HH

AVATAR BLUE

Anthraquinone PO13 Hansa Yellow G PY1

Phtalocyanine Beta PB15:3

HH

589

oILM e DIUM ECO

HHH

ENERGY ORANGE

MADE I N ITALY

HHH

FIREWALL RED

COOL BLUE

Monoazoic PO5

Sodium Polysulphide Aluminium Silicate PB29

HH

590

HHH

REBEL RED

SOUL BLUE

Naphtol AS PR112


591

HHH

HHH

LUXURY RED

DRY OCHRE

Quinacridone PV19


593

HH RED DEVIL

HHH

HHH Synthetic Iron Oxide PR101

594

HHH

GAME OVER PURPLE

URBAN GREY

Dioxazine PV23

Carbon Black PBk11

Thinner suitable for all oil colours, mixable with water, non-hazardous for human health nor for the environment. Liquid like water, colourless, with a barely perceptible odour, the Oil Medium can be used indoors without causing disturbances. For very sensitive users the workplace should be ventilated during or after use. Oil Medium is the ideal alternative to traditional solvents (turpentine, white spirit, odourless thinner), it reduces the density of oil colours, softening the paste and making the application easier and smoother. It can also be applied with a dropper to avoid waste or the product can be added to the colour in controlled quantity. Excessive use may cause dull or dry areas on the painted surface and therefore it is advisable not to exceed 30% of Oil medium with respect to the colour. It evaporates more slowly than traditional solvents, however we recommend closing the container well after use in order to avoid unnecessary dispersion. If clean, the remnants of Oil Medium can be returned to the original bottle after use and reused countless times. The product does not slow down the oxidation of oil colours and can be disposed of in household drains. Keep out of the range of children.

oILCL ea N e5 ECO MADE I N ITALY

FLASHBACK UMBER

Monoazoic calcium salt PR57:1

581

596

FREEDOM GREEN

Chlorinated Phtalocyanine PG7

586

HHH

HH

HAZARD GREEN


574

HHH



573

595

GREEN DRAGON

DOUBLE WHITE

572

HHH

NO COLOUR

Ammonia-free cleanser mixable and dilutable with water. Non-hazardous for human health nor for the environment. It thoroughly cleans all painting tools, such as brushes, painting knives, palettes and mixing bowls. Suitable for cleaning the insides of plastic tubes allowing a perfect recycling of the tubes. Slightly straw yellow, it is odourless and has excellent dispersion power, removing all traces of oil and pigment. Slightly foamy. For cleaning plastic tubes cut the end of the tube just below the weld. Pour the detergent into the tube either pure or slightly diluted with water. In order to obtain maximum cleaning power shake well or use a bottlebrush to clean the low end of the tube. For cleaning painting tools use the detergent slightly diluted with water or if necessary for a stronger action directly on the support with a soft sponge in a way not to damage the painting instruments. For cleaning the painting supports follow the instructions for cleaning the tools. We recommend taking action immediately to avoid permanent stains on easels, tables or other supports caused by the drying of oil colours.

“ The aesthetic emotion is always an act of synthesis, perhaps an act of love” Gianni Maimeri, The diary Spring 1907.

extrafine acrylic colours All the colours of acrylic painting. Artists looking for acrylic colours with guaranteed quality and lightfastness will find what they are looking for in Brera Acrylics. All Maimeri’s experience with colour has been combined in this extrafine range of 72 colours, all made with the highest degree of lightfastness. These are colours for professionals, responsive to great skill and dexterity and offering fantastic

Brera Acrylic colours in return. In addition to all the pigments most commonly required by artists, the range offers a number of metallic and translucent hues, perfect for contemporary art as well as for decoration and other special uses. These special colours, produced with precious materials, may be intermixed with other more transparent colours in the range to obtain a wide range of chromatic effects. Brera Acrylic is the top of the line in acrylic painting. The binder in all colours is an ultra fine emulsion of acrylic resin with the addition of special preservatives, surfactants and UV filters which help maintain a resistant, supple film with a smooth, silky, matte finish.

Brera Acrylic

08 = Extrafine Acrylic Colours, complete range 72 colours in 3 price groups

All colours

Reduced range 42 colours marked by

Reduced range 12 colours marked byt

06 = 60 ml tube

22 = 150 ml tube

30 = 350 ml jar Sales unit 1 piece

Sales unit 3 pieces

018

020

052

054

063

068

072

074

081

082

083

084

HHH

Sales unit 3 pieces s t s

gr. 1

100

HHH

gr. 1

226

HHH

s

gr. 2

331

HHH

s

Titanium White

Lemon Yellow

Cadmium Red Light

Olive Green




Isoindoline PY139 Chlorinated Phthalocyanine PG7 Benzimidazolone PO36

HHH

s

gr. 1

116

HHH

t s

gr. 1

228

HHH

t s

gr. 2

333

HHH

gr. 1

gr. 2

Zinc White

Primary Yellow

Cadmium Red Medium

Verde oro

Zinc Oxide PW4

Arylide Yellow PY97

Cadmium Sulphoselenide PR108 Cadmium Sulphoselenide PR108

Arylide Yellow PY97 Sodium Polysulphide-Aluminosilicate PB29

HHH

gr. 1

131

HHH

s

gr. 1

232

HHH

gr. 2

336

HHH

Brilliant Orange

Yellow Ochre

Cadmium Red Deep

Chrome Oxide Green

Anthraquinone PO43



Chromium Oxide PG17

HHH

gr. 2

134

HHH

gr. 1

234

HHH

s

gr. 2

339

HHH

s

gr. 1

s

gr. 1

Cadmium Orange

Golden Ochre

Naphthol Crimson


Cadmium Sulphide PY35 Cadmium Sulphoselenide PO20

Synthetic Iron Oxide PY42 Synthetic Iron Oxide PY42+PR101

Pyrrole-pyrrole PR254 Quinacridone PV19


HHH

s

gr. 2

147

HHH

s

gr. 2

248

HHH

gr. 1

340

HHH

Quinacridone Orange

Quinacridone Gold

Mars Red


Quinacridone PR206



Chlorinated Phthalocyanine PG7 Arylide Yellow PY97 Titanium Dioxide PW6

HHH

s

gr. 1

161

HHH

t s

gr. 1

256

HHH

t s

gr. 2

350

HHH

Flesh Tint

Raw Sienna


Turquoise Green

Titanium Dioxide PW6 Anthraquinone PO43

Synthetic Iron Oxide PY42 Isoindoline PY139 Anthraquinone PO43

Quinacridone PV19

Titanium Dioxide PW6 Chlorinated Phthalocyanine PG7

HHH

gr. 1

165

HHH

s

gr. 2

257

HHH

gr. 2

356

HHH

Orange Yellow

Bordeaux

Pyrrole Red

Emerald Green

Arylide Yellow PY97 Isoindoline PY139

Dioxazine PV23 Quinacridone PV19


Arylide Yellow PY97 Chlorinated Phthalocyanine PG7 Titanium Dioxide PW6

HHH

s

gr. 2

170

HHH

gr. 3

258

HHH

gr. 2

364

HHH

s

gr. 1

gr. 1

gr. 1

gr. 1

Brilliant Yellow

Quinacridone Crimson

Quinacridone Red

Brilliant Blue

Arylide Yellow PY97 Titanium Dioxide PW6 Isoindoline PY139

Quinacridone PR122 Quinacridone PR206

Quinacridone PR209

Sodium Polysulphide-Aluminosilicate PB29 Titanium Dioxide PW6

HHH

s

gr. 2

214

HHH

gr. 1

278

HHH

s

gr. 1

367

HHH

s



Burnt Sienna

Cerulean Blue (Hue)


Titanium Dioxide PW6 Quinacridone PR122 Anthraquinone PO43

Synthetic Iron Oxide PR101 Isoindoline PY139 Synthetic Iron Oxide PR101PBk11


HHH

s

gr. 2

219

HHH

gr. 2

321

HHH

t s

gr. 1

368

HHH

gr. 1

gr. 3


Brilliant Red Light

Phthalo Green

Cerulean Blue


Anthraquinone PR168



HHH

s

gr. 2

221

HHH

s

gr. 2

323

HHH

gr. 1

372

HHH

gr. 3


Brilliant Red Deep

Yellowish Green

Cerulean Blue


Pyrrole-pyrrole PR254 Quinacridone PV19 Quinacridone PV19

Titanium Dioxide PW6 Arylide Yellow PY97 Chlorinated Phthalocyanine PG7


HHH

s

gr. 2

224

HHH

gr. 2

325

HHH

s

gr. 1

375

HHH

gr. 1

Cadmium Yellow Deep

Cadmium Red Orange

Hooker’s Green

Cobalt Blue (Hue)



Chlorinated Phthalocyanine PG7 Synthetic Iron Oxide PY42 Carbon Black PBK7

Sodium Polysulphide-Aluminosilicate PB29 Phthalocyanine Beta PB15:3 Titanium Dioxide PW6

378

380

390

394

400

443

447

466

468

476

484

492

HHH

s

gr. 1

493

HHH

s

Phthalo Blue

Raw Umber

Phthalocyanine Alpha PB15:1

Synthetic Iron Oxide PBK11 Synthetic Iron Oxide PY42 Synthetic Iron Oxide PR101

HHH

s

gr. 2

507

HHH

Indanthrene Blue

Warm Grey

Anthraquinone PB60

Titanium Dioxide PW6 Synthetic Iron Oxide PBK11 Synthetic Iron Oxide PY42

HHH

t s

gr. 1

510

HHH

gr. 1

gr. 1

gr. 1

Ultramarine

Cool Grey


Titanium Dioxide PW6 Sodium Polysulphide-Aluminosilicate PB29 Synthetic Iron Oxide PBk11

HHH

s

gr. 1

513

HHH

gr. 1

s

gr. 1

Permanent Blue Light

Neutral Grey

Titanium Dioxide PW6 Phthalocyanine Beta PB15:3 Chlorinated Phthalocyanine PG7

Titanium Dioxide PW6 Synthetic Iron Oxide PBK11

HHH

t s

gr. 1

514

HHH

Primary Blue - Cyan

Payne’s Grey


Sodium Polysulphide-Aluminosilicate PB29 Carbon Black PBK7

HHH

s

gr. 2

535

HHH

Violet

Ivory Black

Dioxazine PV23

Carbon Black PBK7

HHH

gr. 1

540

HHH

s

t s

Brilliant Violet

Mars Black

Titanium Dioxide PW6 Dioxazine PV23

Synthetic Iron Oxide PBK11

HHH

gr. 3

006

HHH

t s

Quinacridone Violet

Iridescent Silver

Quinacridone PR122

Titanium Dioxide+Mica Titanium Dioxide+Mica+ Synthetic Iron Oxide

HHH

gr. 2

016

HHH

t s

gr. 1

Quinacridone PR122 Titanium Dioxide PW6 Dioxazine PV23

Titanium Dioxide+Mica

gr. 1

146

HHH

Mars Brown

Iridescent Gold



HHH

gr. 1

201

HHH

Vandyke Brown

Iridescent Copper

Calcined Original Natural Earth PBr7 Quinacridone PV19 Carbon Black PBK7

Mica+Synthetic Iron Oxide

HH

t s

gr. 1

471

HHH

gr. 1

gr. 1

Iridescent White

gr. 1

s

Violet Reddish

HHH

gr. 1

s

gr. 2

gr. 1

Burnt Umber

Iridescent Bronze

Synthetic Iron Oxide PBK11 Synthetic Iron Oxide PR101PBk11 Diarylide Yellow PY83

Bioss. di tit.+Mica+Synthetic Iron Oxide Mica+Synthetic Iron Oxide Carbon Black PBK7

“Refinement in art is often a sign of weakness and superficiality” Gianni Maimeri, The diary May 17 1908.

fine acrylic colours The greatest versatility in acrylic colours. The Polycolor line is intended to make the most of the enormous versatility of a painting technique which has revolutionised the way the world is painting in the past fifty years. Polycolor contains a special ultra fine acrylic emulsion binder, a high tech product which dries to produce an extremely strong, resistant, supple, opaque film which performs very well even out of doors, exposed to natural elements.

Polycolor All pigments are highly concentrated to offer excellent coverage and colour impact (100 ml of paint will cover about 3 square metres). All colours are lightfast and may be intermixed freely. The range includes seven indelible metallic colours intended for a wide range of uses in billboards and decorating. Polycolor colours are ideal for covering large surfaces, for beautiful stage sets, for interior decorating and indoor and outdoor murals.

Polycolor

12 = Fine Acrylic Colours, complete range 54 colours at a sole price

TAll colours

Reduced range 49 colours marked by t

All colours

All colours

02 = 20 ml tube

06 = 60 ml tube

20 = 140 ml jar

34 = 500 ml jar Sales unit 1 prices

Sales unit 6 pieces

018

020

021

052

068

072

074

083

100

104

116

118

HHH

Sales unit 6 pieces

Sales unit 3 pieces

131

t

HHH

t

304

HH

t

Titanium White

Yellow Ochre

Brilliant Green Light



Hansa Yellow 10G PY3 Titanium Dioxide PW6 Chlorinated Phthalocyanine PG7

HHH

t

161

HHH

t

305

HH

404

HHH

t

King’s Blue

t


408

HHH

t

Zinc White

Raw Sienna

Brilliant Green Deep

Turquoise Blu

Titanium Dioxide PW6 Zinc Oxide PW4


Chlorinated Phthalocyanine PG7 Hansa Yellow G PY1 Titanium Dioxide PW6

Titanium Dioxide PW6 Chlorinated Phthalocyanine PG7 Phthalocyanine Beta PB15:3

HHH

165

HH

321

HHH

t

438

HHH

t

Ivory White

Bordeaux

Phthalo Green

Lilac

Titanium Dioxide PW6 Synthetic Iron Oxide PY42

Naphthol AS PR12

Chlorinated Phthalocyanine PG7 Titanium Dioxide PW6

Titanium Dioxide PW6 Sodium Polysulphide-Aluminosilicate PV15

HHH

t

166

HH

t

323

HH

t

443

HHH

Brilliant Orange

Carmine

Yellowish Green

Violet

Benzimidazolone PO36

Naphthol AS PR146 Naphthol AS PR9 Titanium Dioxide PW6

Hansa Yellow 10G PY3 Titanium Dioxide PW6 Chlorinated Phthalocyanine PG7

Dioxazine PV23 Titanium Dioxide PW6

HHH

t

191

HHH

t

336

HHH

t

447

HHH

Flesh Tint

Red Ochre

Chrome Oxide Green

Brilliant Violet

Titanium Dioxide PW6 Quinacridone PV19 Benzimidazolone PO36


Ossido di cromo PG17


HHH

t

208

HHH

t

356

HHH

t

484

HHH

t

t

t

Orange Yellow

Rose Pale

Emerald Green

Vandyke Brown


Titanium Dioxide PW6 Quinacridone PV19

Titanium Dioxide PW6 Chlorinated Phthalocyanine PG7 Phthalocyanine Alpha PB15:1

Synthetic Iron Oxide PR101PBk11 Synthetic Iron Oxide PBk11

HH

t

220

HHH

t

358

HH

t

492

HHH

t

Brilliant Yellow

Brilliant Red

Sap Green

Burnt Umber


Naphthol AS PR9

Chlorinated Phthalocyanine PG7 Diarylide Yellow PY83 Naphthol AS PR112

Synthetic Iron Oxide PR101PBk11 Synthetic Iron Oxide PR101 Carbon Black PBK7

256

HH

HHH

t

366

HHH

t

493

HHH

t



Sky Blue

Raw Umber

Cadmium Sulphide PY35 Hansa Yellow G PY1 Diarylide Yellow PY83

Quinacridone PR122


Synthetic Iron Oxide PY42+PR101 Synthetic Iron Oxide PBk11 Synthetic Iron Oxide PR101PBk11

HH

t

263

378

HHH

HHH

t

514

HHH

t

Lemon Yellow

Sandal Red

Phthalo Blue

Payne’s Grey


Pyrrole-Pyrrole PR254

Titanium Dioxide PW6 Phthalocyanine Alpha PB15:1


HH

t

278

HHH

t

388

HHH

t

530

HHH

t

Naples Yellow

Burnt Sienna

Navy Blue

Black

Hansa Yellow 10G PY3 Titanium Dioxide PW6 Synthetic Iron Oxide PY42

Synthetic Iron Oxide PR101 Synthetic Iron Oxide PY42+PR101 Synthetic Iron Oxide PR101


Synthetic Iron Oxide PBk11 Carbon Black PBK7

HH

t

280

HH

t

390

HHH

t

541

HHH

t

Primary Yellow

Vermilion (Hue)

Ultramarine

Micaceous Black

Hansa Yellow G PY1 Titanium Dioxide PW6 Hansa Yellow 10G PY3

Naphthol AS PR112


Micaceus Iron Oxide PBk11 Carbon Black PBK7

HH

Deep Yellow Diarylide Yellow PY83 Titanium Dioxide PW6

t

298

HHH Verdaccio

Synthetic Iron Oxide PY42 Titanium Dioxide PW6 Cromium Oxide PG17

400

HHH

t

003

HHH

t

Primary Blue - Cyan

Silver


Titanium Dioxide+Mica+Graphite

017

144

HHH

t

148

HHH

t

475

HHH

t

497

HHH

t

Platinum White

Rich Gold

Bronze

Steel



Titanium Dioxide+Mica+Synth.Iron Oxide Carbon Black PBK7 Mica+Synthetic Iron Oxide

Micaceus Iron Oxide PBk11 Titanium Dioxide+Mica+Grafite

HHH

t

200

HHH

t

Pale Gold

Copper



1298173 INTRO SET CARDBOARD BOX 13 assorted 20 ml tubes

1298058 INTRO SET - CARDBOARD BOX 8 assorted 20 ml tubes 1 Gloss Medium 75 ml bottle 1 White bristle brush

1298100 PLASTIC BLISTER 10 assorted 20 ml tubes

1298051 PRIMARY CARDBOARD BOX 6 x 20 ml tubes assorted (Primary colours - 2 White - Black)


fluid acrylic colours Resistant, fluid and glossy, extremely easy to apply. Perfect adherence on every type of material, canvas, paper, plastics, textile, wood, metal, resin. Pleasant to use, the colours have the ideal viscosity for being used pure or mixed with each other. The brush spreads the colour softly and without difficulty, it is smooth and pliable.


The brushstroke is uniform and homogenous; traces are avoided.

Polyfluid Versatile and precise, the colours can be combined with the polycolor range in order to enhance and define details, particular elements are highlighted by the impressive contrast between the mat finish of Polycolor and the gloss of Polyfluid. Excellent results are also obtained when Polyfluid is used with acrylic pastes and Polycolor Gesso.

Polyfluid

11 = Fluid Acrylic Colours, complete range 30 colours at a sole price

All colours

14 = 60 ml bottle Sales unit 6 pieces

010

050

068

112

114

325

HHH

Hooker’s Green


Chlorinated Phthalocyanina PG7 Phthalocyanina Beta PB15:3

HH

346

185

220

264

275

311

Carbon Black PBk7

HHH

Deep Green

Silver

Naphthol AS PR112 Diarylide Yellow PY83

Chlorinated Phthalocyanina PG7 Phthalocyanina Beta PB15:3

Titanium Dioxide+Mica PW20 Synthetic Iron Oxide PBk11

HHH

348

HH

017

HHH

Flesh Tint

Viridian

Platinum White

Synthetic Iron Oxide PY42+ PR101 Titanium Dioxide PW6

Hansa Yellow 10G PY3 Phthalocyanina Beta PB15:3

Titanium Dioxide+Mica PW20

HH

409

HHH

144

HHH


Green Blue

Pale Gold


Chlorinated Phthalocyanine PG7 Phthalocyanine Beta PB15:3c

Titanium Dioxide+Mica PW20 Synthetic Iron Oxide

HH

414

HHH

Yellow Ochre Light

Cyan


Phthalocyanina Beta PB15:3

426

HH

HHH

Raw Sienna

Ultramarine

Ferrous Nitrous Beta Naphthol PG8 Synthetic Iron Oxide PY42+PR101

Phthalocyanina Alfa PB15:1 Dioxazine PV23

443

HH

HHH

Magenta

Violet

Naphthol AS PR146

Dioxazine PV23

472

HH

HHH

Brilliant Red

Brown

Naphthol AS PR112

Synthetic Iron Oxide PR101+PBk11

500

HH

HHH

Ruby

Grey

Naphthol AS PR146 Dioxazine PV23

Carbon Black PBk7 Titanium Dioxide PW6

508

HHH

HHH

Burnt Sienna

Dust

Synthetic Iron Oxide PR101+PBk11 Synthetic Iron Oxide PR101

Carbon Black PBk7

HH

Light Green Hansa Yellow 10G PY3 Chlorinated Phthalocyanina PG7

148

514

HHH Payne’s Grey

Phthalocyanine Beta PB15:3 Carbon Black PBk7

HHH

Rich Gold Titanium Dioxide+Mica PW20 Synthetic Iron Oxide


418

HHH

HHH Sky Blue


157

Carbon Black

003

HHH

HHH

Orange


132

537

HH

White

700 Colourless Medium

“Desire is more beautiful than the thing desired.”

Fine Acrylic Dense Colours

Gianni Maimeri, The diary December 2, 1907.

brush, keeping their smoothness intact.

A new-generation colored acrylic paste with great elasticity, enabling you to create relief effects while retaining the chosen color and its brilliance. The colors can be perfectly mixed using a spatula or In the impasto stage the colors blend, creating secondary tones that are clean and bright, with no need to add water.

Polycolor 3D

“A man is an artist when he succeeds in externalizing what he has inside.” Gianni Maimeri, The diary Spring 1907.

Fine Acrylic Reflect Colours Eight exceptional new tints that capture the light and reflect and multiply it. The primary colors plus white, black and the three metal colors most in demand, formulated with latest-generation pigments. Pearlescent pigments, products to accentuate color luminosity to the hilt. Fragments of light incorporated into paint to give even more extraordinary shadings to artwork. To experiment with light directly with the paintbrush.

Polycolor Reflect

Polycolor 3D

11 = Fine Acrylic Dense Colors for painting to thickness, complete range 24 colours at a sole price

All colours

20 = 140 ml jar Sales unit 6 pieces 018

021

072

100

116

118

131

HHH

280

HHH

378

HH

HHH

Titanium White

Yellow Ochre

Vermilion (Hue)

Phthalo Blue



Naphthol AS PR112

Titanium Dioxide PW6 Phthalocyanine Alpha PB15:1

161

HHH

304

HHH

390

HH

HHH

Ivory White

Raw Sienna


Ultramarine



Hansa Yellow 10 G PY3 Titanium Dioxide PW6 Chlorinated Phthalocyanine PG7


165

HHH

Bordeaux


Naphthol AS PR12

166

HH

321

HH

Orange Yellow

400

HHH Phthalo Green

Primary Blue - Cyan


356

HH

HHH Phthalocyanine Beta PB15:3

447

HHH

HHH

Lemon Yellow

Carmine

Emerald Green

Brilliant Violet

Hansa Yellow 10 G PY3

Organic Pigment PR 4 Quinacridone PR122

Phthalocyanine Alpha PB15:1 Titanium Dioxide PW6 Chlorinated Phthalocyanine PG7


256

HH

358

HHH

492

HH

HHH

Giallo primario


Sap Green

Burnt Umber

Hansa Yellow G PY1

Quinacridone PR122



278

HH

366

HHH

530

HHH

HHH

Deep Yellow

Burnt Sienna

Sky Blue

Black

Hansa Yellow G PY1 Organic Pigment PR 4



Carbon Black PBk7

Polycolor Reflect

11 = Fine Acrylic Reflect Colors, complete range 8 colours at a sole price

All colours

20 = 140 ml jar Sales unit 6 pieces

561

HHH

563

White di titanio Bianco

Titanium Dioxide Dioxide+Mica Titanium PW6

562

HHH

564

AntiquediSilver Bianco zinco

565

HH Titanium Dioxide+Mica Hansa Yellow 10 G PY3 Hansa Yellow G PY1


566

HHH

HH

t

Hansa Yellow 10GPY3 Titanium Dioxide PW6

H

Titanium Dioxide+Mica Phthalocyanine Beta PB15:3

Verde bril-

Titanium Dioxide+Mica lante chiaroPV19 Quinacridone

566

HHH Cyan

Magenta

Titanium Dioxide+Mica Synthetic Iron Oxide PY42 Titanium Dioxide PW6

564

HHH

567

Sequin Gold

Rich Gold Ocra gialla

Titanium Dioxide Dioxide+Mica Titanium PW6 Titaniumdi Dioxide+Mica+Synthetic Iron Oxide Ossido zinco PW4

HHH

Yellow

t

568

HHH BlackReale Blu

Titanium Dioxide Dioxide+Mica PW6 Carbon Blackbeta PBK7PB15:3 Ftalocianina Chlorinated Phthalocyanine PG7

“Every time the artist works he must work towards a masterpiece.”

Arcylic Modelling Paste

Gianni Maimeri, The diary December 30, 1908.

The pearly white of seashells, gold, silver and bronze

Eight pastes with extremely plastic consistency. Rich, doughy, dense and painterly. They can be spread on canvas and any other support like three-dimensional modeling materials. in paste, coarse-grain quartz, stainless steel, bitumen as black and dense as asphalt and a super-light white paste to amplify thickness. Use pure.

Polycolor Body

Polycolor Body

59 = Acrylic Modelling Paste, complete range 8 products at a sole price

All colours

20 = 140 ml jar Sales unit 6 pieces 801

803

HHH

804

HHH

810

HHH

Pearl White Paste

Silver Paste

Bitumen Paste


Titanium Oxide+Mica Carbon Black PBK7

Gilsonite NAT.Bk6

HHH

806

HHH

811

HHH

813

HHH

Quartz Paste Silica

816

HHH

Steel Paste

Gold Paste

Bronze Paste

Super Light Paste

Steel Powder


Titanium Dioxide+Mica+Synth. Iron Oxide Mica+Synthetic Iron Oxide Carbon Black PBK7

Hollow glass micro-spheres

Polycolor Film 6332025 SATIN PICTURE VARNISH Colourless varnish applied to create a highly resistant satin film. areosol spray 400 ml 6332669 GLOSS PICTURE VARNISH Colourless varnish applied to create a highly resistant gloss film. areosol spray 400 ml 6332673 MAT PICTURE VARNISH Colourless varnish applied to creates a highly resistant matt film. areosol spray 400 ml

Polycolor Gesso

58 = acrylic gesso, complete range 5 products at a sole price

All products

Reduced range marked by ▼

34 = 500 ml bottle

40 = 1000 ml bottle

Sales unit 2 pieces

Sales unit 1 pieces

696

694

695

▼ White

698 Black

Coarse

697 Ice White

Ivory

“Refinement in art is often a sign of weakness and superficiality” Gianni Maimeri, The diary May 17 1908.

acrylic colours Is an acrylic colour of a new generation, a new acrylic language, strong, rapid, adaptable to the heart and spirit of those who use it. New generation acrylic polymer in microemulsion with good binding and adhesion characteristics, uv resistance, colour retention and good, resistance to external conditions. 72 vivid bright and clean colours, good adhesion to all supports paper, cardboard, wood, canvas, wall,

Maimeri Acrilico glass, ceramics, textiles, all kinds of metal. Good pigment concentration can be diluted with water in any proportion mixable with all water-based media, very flexible also when applied in thick layers. Easy to work the brushstroke spreads easily and complements artistic expression even with highviscosity colour paste. Satinated finish translucid, in between gloss and mat. High density paste (buttery consistence). ording to the chemical class of the single pigment. Good resistance to dirt.

Maimeri Acrilico

09 = Acrylic Colours, complete range 72 colours at a sole price

All colours

All colours

Reduced range ▲

Reduced range ▼

16 = 75 ml tube


34 = 500 ml l jar Sales unit 1 piece

40 =1000 ml l jar Sales unit 1 piece

Sales unit 3 pieces

018

020

021

★★★

▲▼

116

102

105

106

Yellowish Green


Hansa Yellow 10 G PY3 Chlorinated Phthalocyanine PG7

★★★

▲

117

★★

▲▼

331

★★★

Golden yellow

Permanent Red Light

Olive Green

Zinc Suphide PW7

Naphtol AS PR112 Hansa Yellow 10 G PY1

Hansa Yellow G PY1 Naphthol AS PR112

Synthetic Iron Oxide PY42 Chromium Oxide PG17

★★★

▲

120

★★

▲

253

★★★

▲

★★★

▲

339

▲▼

256

★★★

▲▼

★★

▲▼

Permanent Green Light Hansa Yellow 10 G PY3 Chlorinated Phthalocyanine PG7

Naphthol AS PR146 Dioxazine PV23


131

★★

Permanent Red Deep

Yellow Greenish

340

★★

▲

Mars Orange

Yellow Ochre

Primaire Red - Magenta


Synthetic Iron Oxide PY42+PR101


Quinacridone PV 19


134

★★

★★★

▲

259

★★

▲▼

350

★★★

▲

Permanent Orange

Golden Ochre

Permanente Red Medium

Turquoise Green

Hansa Yellow G PY1 Naphthol AS PR112

Synthetic Iron Oxide PY42 Synthetic Iron Oxide PR101

Naphthol AS PR112


161

★★★

★★★

▲▼

Raw Sienna

Synthetic Iron Oxide PY42+PR101+PY42

Synthetic Iron Oxide PY42 Synthetic Iron Oxide PR101

★★

▲▼

165

266

274

★★

Scarlet


Naphthol AS PR146

Monoazoic PR4

▲

166

★★★

▲

191

★★

▲

210

Permanent Yellow Lemon Hansa Yellow 10G PY3

★★

▲

212

▲▼


278

214

★★★

★★

▲▼

Sap Green Ferrous Nitrous Beta Naphthol PG8

▲▼

362

★★★

▲

Burnt Sienna

Sky Blue Light

Naphthol AS PR146



280

★★★

★★

▲

370

★★★

▲▼

Red Ochre

Vermilion (Hue)



Naphthol AS PR112 Naphthol AS PR146

Titanium Dioxide PW6 Phthalocyanine Beta PB15:3 Sodium Polysulphide-Aluminosilicate PB29

298

★★★

★★★

▲

371

★★★

▲

Venetian Rose

Verdaccio

Cobalt Blue Deep (Hue)

Titanium Dioxide PW6 Synthetic Iron Oxide PR101

Synthetic Iron Oxide PY42 Chromium Oxide PG17 Carbon Black PBk7

Titanium Dioxide PW6 Phthalocyanine Alpha PB15:1 Sodium Polysulphide-Aluminosilicate PB29

303

★★★ Quinacridone PR122

Diarylide Yellow PY83 Hansa Yellow G PY1


▲

358

Carmine

Quinacridone Rose

Permanent Yellow Medium

★★

★★

▲

Chlorinated Phthalocyanine PG7 Hansa Yellow G PY1

★★

Bordeaux

★★ Emerald Green


Naples Yellow Light

★★★

356

★★★ Transparent Red

Mars Yellow


114

251

★★

Zinc Blanc

Naples Yellow Deep

113

★★

Hansa Yellow 10 G PY3 Hansa Yellow G PY1

Titanium Dioxide PW6 Synthetic Iron Oxide PR101

112

323

★★★



107

248

Mars Red


062

▲▼

Primaire Yellow

Ivory Blanc

060

★★

Titanium Blanc

★★★

▲

321

385

★★

★★★


Manganese Blue (Hue)

Hansa Yellow 10 G PY3 Phthalocyanine Beta PB15:3


★★★

▲▼

388

★★★

▲


Phthalo Green

Navy Blue

Titanium Dioxide PW6 Quinacridone PR122


Phthalocyanine Beta PB15:3 Dioxazine PV23 Carbon Black PBk7

0998190 0998190 CARDBOARD BOXCARDBOARD BOX 5 x 75 ml 5 x 75 ml (primaire - blanc - (primaire black) - blanc - black) 0998192 0998192 CARDBOARD BOXCARDBOARD BOX 5 x 200 ml 5 x 200 ml (primaire - blanc - (primaire black) - blanc - black)

390HHH Ultramarine

HHH ▲▼

▲▼

507

Ultramarine

HHH

Warm Grey

Sodium Polysulphide-Aluminosilicate Sodium Polysulphide-Aluminosilicate PB29 PB29

400HHH

507HHH

Warm Grey

Titanium Dioxide PW6 Titanium Dioxide PW6 Synthetic Iron Oxide PY42+PBK11 Synthetic Iron Oxide PY42+PBK11

510HHH

HHH

Primaire Blue - CyanPrimaire Blue - Cyan

Cool Grey

Cool Grey

Phthalocyanine Beta PB15:3 Phthalocyanine Beta PB15:3

Titanium Dioxide PW6 Titanium Dioxide PW6 Sodium Polysulphide-Aluminosilicate Sodium Polysulphide-Aluminosilicate PB29-Synthetic Iron Oxide PB29-Synthetic PBK11 Iron Oxide PBK11

402HHH Prussian Blue

HHH ▲▼

▲▼

510

514

HHH Prussian Blue

HHH

Payne’s Grey

Phthalocyanine Alfa PB15:1 Phthalocyanine Alfa PB15:1 Carbon Black PBk7 Carbon Black PBk7

405HHH

514HHH

Payne’s Grey

Phthalocyanine Beta PB15:3 Phthalocyanine Beta PB15:3 Carbon Black PBK7 Carbon Black PBK7

537

HHH

537HHH

HHH ▲▼

▲▼

King’s Blue Light King’s Blue Light

Carbon Black

Carbon Black

Titanium Dioxide PW6 Titanium Dioxide PW6 Phthalocyanine Beta PB15:3 Phthalocyanine Beta PB15:3

Carbon Black PBk7

Carbon Black PBk7

409HHH Green Blue

HHH

540

HHH

Turquoise

Turquoise

003

HHH ▲▼

▲▼

003HHH

HHH ▲

Silver

Silver

017

017HHH

HHH ▲

Ultramarine Violet Ultramarine Violet

Platinum Blanc

Titanium Dioxide PW6 Titanium Dioxide PW6 Dioxazine PV23 Dioxazine PV23

Titanium Dioxide+Mica Titanium Dioxide+Mica

462HHH

HHH ▲

▲

137

▲

HHH ▲

151

151HHH

HHH ▲

Dioxazine PV23

Titanium Dioxide+Mica+Titanium Dioxide+Mica+ Synthetic Iron Oxide Synthetic Iron Oxide

Dioxazine PV23

HHH

200

Mars Brown

Burnt Umber

HHH ▲▼

▲▼

Raw Umber

475

475HHH Bronze

Burnt Umber

HHH ▲▼

▲▼

Raw Umber

Synthetic Iron Oxide PY42Synthetic Iron Oxide PY42 Synthetic Iron Oxide PR101 Synthetic Iron Oxide PR101 Carbon Black PBk7 Carbon Black PBk7

▲

Deep Gold

HHH ▲

▲

Copper

Titanium Dioxide+Mica Titanium Dioxide+Mica

HHH

Bronze

Mica+Synthethic Iron Oxide Mica+Synthethic PW20 Iron Oxide PW20 Titanium Dioxide+Mica+Synthethic Titanium Dioxide+Mica+Synthethic Iron Oxide PW20 Iron Oxide PW20 Carbon Bl.PBK7 Carbon Bl.PBK7

Synthetic Iron Oxide PPR101 Synthetic PBk11Iron Oxide PPR101 PBk11

493HHH

200HHH Copper

Synthethic Iron Oxide PR101+PBK11 Synthethic Iron Oxide PR101+PBK11

492HHH

▲

Light Gold

Deep Gold

Mars Brown

▲

Platinum Blanc

Permanent Violet Reddish Permanent Violet Reddish

476HHH

▲

Titanium Dioxide+Mica+Titanium Dioxide+Mica+ Synthetic Iron Oxide Synthetic Iron Oxide

Titanium Dioxide PW6 Titanium Dioxide PW6 Dioxazine PV23 Dioxazine PV23 Quinacridone PR122 Quinacridone PR122

HHH ▲

137HHH Light Gold

Permanent Violet Reddish Permanent LightViolet Reddish Light

465HHH

▲

Mars Black

Titanium Dioxide+Mica Titanium Dioxide+Mica Titanium Dioxide+Mica+Titanium Dioxide+Mica+ Synthetic Iron Oxide Synthetic Iron Oxide

Titanium Dioxide PW6 Titanium Dioxide PW6 Chlorinated Phthalocyanine Chlorinated PG7 Phthalocyanine PG7 Phthalocyanine Beta PB15:3 Phthalocyanine Beta PB15:3

440HHH

HHH ▲

Synthetic Iron Oxide PBk11 Synthetic Iron Oxide PBk11

Chlorinated Phthalocyanine Chlorinated PG7 Phthalocyanine PG7 Phthalocyanine Beta PB15:3 Phthalocyanine Beta PB15:3

430HHH

540HHH Mars Black

Green Blue

562

562HHH Silver antique

HHH

Silver antique

Titanium Dioxide+Mica PW20 Titanium Dioxide+Mica PW20 Carbon Black PBk7 Carbon Black PBk7

5843693 5843693 GESSO MAIMERI ACRILICO GESSO MAIMERI ACRILICO 500 ml jar 500 ml jar Sales unit 2 pieces Sales unit 2 pieces 5840693 5840693 GESSO MAIMERI ACRILICO GESSO MAIMERI ACRILICO 1000 ml jar 1000 ml jar Sales unit 1 piece Sales unit 1 piece 5844693 5844693 GESSO MAIMERI ACRILICO GESSO MAIMERI ACRILICO 2500 ml jar 2500 ml jar Sales unit 1 piece Sales unit 1 piece

“Drawing is an invention of the spirit, a way of fixing thought” Gianni Maimeri, The diary Maimeri, May 28 1908

superior watercolours MaimeriBlu pans are still made by hand. In order to ensure that the product is not adulterated with additives or artificial processes which would alter its genuine quality, Maimeri still performs a number of stages in preparation of individual pans by traditional manual methods. Thus the purity of formula and composition that is the true quality of these watercolours is preserved. In designing the palette of 72 colours, preference

MaimeriBlu was given to the pigments offering the greatest transparency, without prejudice, attempting to achieve top colour quality and lightfastness in the simplest possible way. 52 colours are pure, consisting of a single pigment bound with authentic top quality gum-arabic from Sudan and distilled water. The clear, fresh tone of watercolour painting is the result of the exceptional clarity of the colours. Pure. Simple. Extraordinarily transparent. Like all MaimeriBlu colours.

MaimeriBlu

16 = Superior Watercolours, complete range 72 colours in 4 price groups

All colours

All colours

04 = 15 ml tube

08 = 1,5 ml pan

Sales unit 6 pieces

013

053

054

081

082

084

098

105

106

109

110

112

HHH

Sales unit 6 pieces

gr. 1

114

HHH

gr. 1

251

HHH

gr. 2

324

HHH

Chinese White


Permanent Red Light

Cupric Green Deep

Zinc Oxide PW4

Isoindoline PY139

Anthraquinone PR168


HHH

gr. 2

116

HHH

gr. 2

253

HHH

gr. 2

325

HHH

Avignon Orange

Primary Yellow

Permanent Red Deep

Hooker’s Greenr

Quinacridone PR206

Arylide Yellow PY97

Anthraquinone PR177

Chlorinated Phthalocyanine PG7 Synthetic Iron Oxide PY42 Isoindoline PY139

HHH

gr. 3

125

HHH

Cadmium Orange

Orange Lake


Anthraquinone PO43

HHH

gr. 3

128

HHH

gr. 2

256

HHH

gr. 1

331


gr. 3

261

HHH

gr. 1

gr. 2

Chromium Oxide PG17

gr. 2

338

HHH


Golden Lake

Tiziano Red

Permanent Green Yellowish


Quinacridone PO49

Quinacridone PR209


HHH

gr. 3

131

HHH

gr. 1

262

HHH

gr. 1

339

HHH


Yellow Ochre

Venetian Red





Benzimidazolone PY175 Brominated Phthalocyanine PG36

HHH

gr. 3

161

HHH

gr. 1

263

HHH

gr. 2

340

HHH

Cadmium Yellow Deep

Raw Sienna

Sandal Red





Benzimidazolone PY175 Chlorinated Phthalocyanine PG7

HHH

gr. 1

174

HHH

gr. 2

270

HHH

gr. 1

348

HHH

Indian Yellow

Crimson Lake

Dragon’s Blood

Viridian

Isoindoline PY139 Synthetic Iron Oxide PY42

Quinacridone PR206 Pyrrole-pyrrole PR254

Calcined Original Natural Earth PBr7 Quinacridone PR209

Hydrated Chromíum Oxideo PG18

HHH

gr. 1

181

HHH

gr. 2

278

HHH

gr. 1

350

HHH

Naples Yellow Light

Garnet Lake

Burnt Siennaa

Turquoise Green

Zinc Oxide PW4 Arylide Yellow PY97 Synthetic Iron Oxide PY42



Phthalocyanine PB16

HHH

gr. 1

182

HHH

gr. 3

296

HHH

gr. 1

358

HHH

gr. 1

Sap Green

Titanium Dioxide PW6 Synthetic Iron Oxide PY42+PR101

Quinacridone PV19

Natural Earth PG23 Chromium Oxide PG17

Isoindoline PY139 Chlorinated Phthalocyanine PG7 Anthraquinone P043

gr. 2

226

HHH

gr. 3

316

HHH

gr. 2

359

HHH


Cadmium Red Light

Cobalt Green Light

Blu di Berlino





HHH

gr. 2

232

HHH

gr. 3

317

HHH

gr. 4

368

HHH

gr. 2

Green Earth

gr. 1

gr. 1

Rose Lake

gr. 1


HHH

gr. 1

Olive Green

Quinacridone PV19

HHH

gr. 1

gr. 1

gr. 4

Permanent Orange

Cadmium Red Deep

Cobalt Green Deep

Cerulean Blue





HHH

gr. 1

250

HHH

gr. 1

322

HHH

gr. 1

373

HHH


Transparent Mars Red

Cupric Green Light

Cobalt Blue Light



Brominated Phthalocyanine PG36


gr. 4

374

377

391

392

400

402

HHH

gr. 4

409

HHH

gr. 1

465

HHH

gr. 1

492

HHH

Cobalt Blue Deep

Green Blue


Burnt Umber





HHH

gr. 2

422

HHH

gr. 1

473

HHH

gr. 1

493

HHH

Faience Blue

Indigo

Verzino Violet

Raw Umber

Anthraquinone PB60

Ferric Ferrocyanide PB27 Carbon Black PBk7

Quinacridone PR122

Natural Earth PBr7

HHH

gr. 1

440

HHH

gr. 1

477

HHH

gr. 1

514

HHH

gr. 1

gr. 1

gr. 1

Blu oltremare chiaro

Ultramarine Violet

Transparent Mars Brown

Payne’s Grey




Sodium Polysulphide-Aluminosilicate PB29 Bone Black PBk9

HHH

gr. 1

449

HHH

gr. 4

484

HHH

gr. 1

535

HHH

Ultramarine Deep

Cobalt Violet

Vandyke Brown

Ivory Black


Cobalt-Aluminium Oxides PB28 Quinacridone PV19

Calcined Original Natural Earth PBr7 Bone Black PBk9

Bone Black PBk9

HHH

gr. 1

460

HHH

gr. 4

486

HHH

gr. 1

537

HHH

gr. 1

gr. 1

gr. 1

Primary Blue - Cyan

Mineral Violete

Sepia

Carbon Black



Bone Black PBk9 Natural Earth PBr7

Carbon Black PBk7

HHH

gr. 1

463

HHH

gr. 1

488

HHH

gr. 1

560

HHH

Prussian Blue


Brown Stil de Grain

Neutral Tint


Dioxazine PV23

Synthetic Iron Oxide PR101 Brominated Phthalocyanine PG36

Sodium Polysulphide-Aluminosilicate PB29 Carbon Black PBk7

1698202 MOULDED METAL BOX Cardboard box 24 assorted 1.5 ml pans

1698201 MOULDED MET Cardboard box 12 assorted 1.5 ml pans

“The aim of art is knowledge: but art, in order to be art, must be done” Gianni Maimeri, The diary Maimeri, December 3 1908

extrafine watercolours The initiate’s portal to watercolour painting. When we renewed our Maimeri watercolours, we decided to maintain one line offering the best quality to price ratio in a range of colours all offered at one single price. The result is Venezia: a range of 36 colours which are all maximum lightfast and can all be intermixed together. In coming up with the new palette and choosing pigments, Maimeri removed all cadmium and cobalt based colours and reduced

Venezia chrome content to a minimum in order to eliminate toxins and heavy metals, offering a final answer to the problem of environmental impact, both in the usage and in the production of this product. Research continues all over the world, and the relationship between paint and the environment continues to improve, on the basis of a new awareness that Maimeri has made more than a goal, but an ongoing commitment. In Venezia watercolours pigment concentrations are determined in each individual colour in order to obtain a highly harmonious palette of soft shades reminiscent of the colours of the city they are named after.

Venezia

18 = Extrafine Watercolours, complete range 36 colours at a sole price

All colours

All colours

04 = 15 ml tube

08 = 1,5 ml pan

Sales unit 6 pieces

013

062

068

098

112

HHH

Sales unit 6 pieces

251

131

161

174

182

244

400

HHH

Primary Blue - Cyan

Zinc Oxide PW4

Anthraquinone PR168


HHH

253

HHH

402

HHH

Permanent Orange

Permanent Red Deep

Prussian Blue


Anthraquinone PR177


HHH

256

HHH

416

HHH

Flesh Tint


Cerulean

Zinc Oxide PW4 Synthetic Iron Oxide PY42+PR101

Quinacridone PV19

Zinc Oxide PW4 Phthalocyanine Alpha PB15:1

HHH

274

HHH

428

HHH

Indian Yellow

Scarlet

Sky Blue Ultramarine

Isoindoline PY139 Synthetic Iron Oxide PY42



HHH

278

HHH

HHH

463

296

HHH

HHH


Burnt Sienna Calcined Original Natural Earth PBr7


116

Permanent Red Light


114

HHH

Chinese White

Dioxazine PV23

465

HHH


Green Earth


Isoindoline PY139

Natural Earth PG23 Chromium Oxide PG17


HHH

321

HHH

484

HHH

Primary Yellow

Phthalo Green

Vandyke Brown

Arylide Yellow PY97


Calcined Original Natural Earth PBr7 Bone Black PBk9

HHH

323

HHH

486

HHH

Yellow Ochre

Yellowish Green

Sepia



Natural Earth PBr7 Bone Black PBk9

HHH

339

HHH

492

HHH

Raw Sienna


Burnt Umber


Benzimidazolone PY175 Brominated Phthalocyanine PG36


HHH

340

HHH

493

HHH

Crimson Lake


Raw Umber

Pyrrole-pyrrole PR254 Quinacridone PR206

Benzimidazolone PY175 Chlorinated Phthalocyanine PG7

Natural Earth PBr7

HHH

358

HHH

514

HHH

Rose Lake

Sap Green

Payne’s Grey

Quinacridone PV19

Chlorinated Phthalocyanine PG7 Synthetic Iron Oxide PY42


HHH

392

HHH

535

HHH

English Red

Ultramarine Deep

Ivory Black



Bone Black PBk9

“There are no great and minor artists: there are artists, and non-artists” Gianni Maimeri, The diary 27 febbraio 1909.

extrafine gouache colours Smooth, mat and opaque painting. A new range of extrafine gouache colours makes the most of the potential of gouaches to preserve the original properties and qualities of this ancient method of applying colour. Completely water-soluble pastes now offer total coverage in combination with brilliance in all shades. Gouache colours are perfect for use on all bases: prepared cardboard and canvases, porous surfaces and paper. Their top quality binder and high pigment concentration make

Maimeri Gouache these paints perfect for air-brushing and for all types of graphics work, after appropriate dilution. The colours in the palette have been chosen with a new use in painting in mind: a complete set of bright, lively colours permitting even the most demanding painters to obtain all the shades they require. Two whites and two blacks, ten reds, eight blues, nine greens and four metallic colours: a glance at the colour chart will give you an idea of the thought that went into selection of the colour palette. All this to maintain the prestige and quality of a unique product. Not watercolours, not acrylic colours: those who paint with Maimeri gouache colours are well acquainted with the spirit of gouache painting.

Maimeri Gouache

20 = Extrafine Gouache Colours, complete range 54 colours in 2 price groups

All colours

Bianco

02 = 20 ml tube

06 = 60 ml tube

Sales unit 3 pieces

018

020

050

052

068

086

100

104

116

118

131

135

HHH

Sales unit 3 pieces

gr. 1

161

HH

gr. 1

288

HH

gr. 1

400

HHH

Titanium White

Raw Sienna

Cinnabar Green Deep

Primary Blue - Cyan

Titanium Dioxide PW6 Sodium Polysulphide-Aluminosilicate PB29

Synthetic Iron Oxide PY42 Diarylide Yellow PY83

Hansa Yellow GPY1 Phthalocyanine Beta PB15:3


HHH

gr. 1

165

HH

gr. 1

304

HH

gr. 1

402

HHH

Zinc White

Bordeaux


Prussian Blue

Zinc Oxide PW4

Naphthol AS PR146 + Phthalocyanine Alpha PB15:1

Hansa Yellow 10GPY3 Chlorinated Phthalocyanine PG7


HHH

gr. 1

166

HH

gr. 1

305

HH

gr. 1

414

HHH

gr. 1

gr. 1

Orange

Carmine


Sky Blue


Naphthol AS PR146 Phthalocyanine Alpha PB15:1

Hansa Yellow 10GPY3 Phthalocyanine Beta PB15:3


HH

gr. 1

184

HHH

gr. 1

331

HHH

gr. 1

415

HHH

Brilliant Orange

Solferino Lake

Olive Green

Cerulean (Hue)

Diarylide Yellow PY83 Naphthol AS PR112

Dioxazine PV23 Quinacridone PR122

Chromium Oxide PG17 Synthetic Iron Oxide PY42


HH

gr. 1

191

HHH

gr. 1

342

HH

gr. 1

438

HHH

gr. 1

gr. 1

gr. 1

Flesh Tint

Red Ochre

Pine Green

Lilac

Titanium Dioxide PW6 Diarylide Yellow PY83 Anthraquinone PO43


Phthalocyanine Alpha PB15:1 Hansa Yellow GPY1

Sodium Polysulphide-Aluminosilicate PV15 Titanium Dioxide PW6 Sodium Polysulphide-Aluminosilicate PB29

HH

gr. 1

223

HH

gr. 1

347

HHH

gr. 1

445

HHH

gr. 1

Light Yellow

Cadmium Red (Hue)

Viridian (Hue)

Blueish Violet

Hansa Yellow 10GPY3 Hansa Yellow GPY1



Sodium Polysulphide-Aluminosilicate PB29 Dioxazine PV23

HH

gr. 1

256

HHH

gr. 1

356

HH

gr. 1

468

HHH

Lemon Yellow


Emerald Green

Violet Reddish

Hansa Yellow 10GPY3

Quinacridone PR122

Chlorinated Phthalocyanine PG7 Hansa Yellow 10GPY3

Dioxazine PV23 Quinacridone PR122

HH

gr. 1

274

HH

gr. 1

358

HH

gr. 1

484

HHH

gr. 1

gr. 1

Naples Yellowi

Scarlet

Sap Green

Vandyke Brown

Titanium Dioxide PW6 Hansa Yellow 10GPY3 Synthetic Iron Oxide PY42

Naphthol AS PR112


Synthetic Iron Oxide PR101PBK11 Synthetic Iron Oxide PY42 Carbon Black PBK7

HH

gr. 1

278

HHH

gr. 1

375

HHH

gr. 1

486

HHH

Primary Yellow

Burnt Sienna

Cobalt Blue (Hue)

Sepia

Hansa Yellow GPY1 Hansa Yellow 10GPY3

Synthetic Iron Oxide PR101PBk11 Synthetic Iron Oxide PR101 Synthetic Iron Oxide PR101

Sodium Polysulphide-Aluminosilicate PB29 Phthalocyanine Beta PB15:3

Synthetic Iron Oxide PY42+PR101 Carbon Black PBK7

HH

gr. 1

284

HH

gr. 1

391

HHH

gr. 1

492

HHH

Deep Yellow


Ultramarine Light

Burnt Umber

Diarylide Yellow PY83 Benzimidazolone PO62

Hansa Yellow GPY1 Naphthol AS PR112


Synthetic Iron Oxide PR101PBk11 Carbon Black PBK7

HHH

gr. 1

285

HH

gr. 1

392

HHH

gr. 1

493

HHH

Yellow Ochre


Ultramarine Deep

Raw Umber


Naphthol AS PR112 Hansa Yellow G PY1


Synthetic Iron Oxide PY42 Synthetic Iron Oxide PR101PBk11 Carbon Black PBK7

HHH

gr. 1

286

HH

gr. 1

398

HHH

gr. 1

514

HHH

gr. 1

gr. 1

gr. 1

gr. 1

Deep Ochre


Paris Blue

Payne’s Grey

Synthetic Iron Oxide PY42 Synthetic Iron Oxide PR101PBk11 Synthetic Iron Oxide PR101

Hansa Yellow GPY1 Chlorinated Phthalocyanine PG7

Sodium Polysulphide-Aluminosilicate PB29 Ferric Ferrocyanide PB27


525

530

HHH

gr. 1

003

HHH

gr. 2

151

HHH

gr. 2

Black Lake

Silver

Deep Gold

Bone Black PBk9 Aniline Black PBk1

Titanium Dioxide+Mica+Graphite

Titanium Dioxide+Mica+Synthetic Iron Oxide

HHH

gr. 1

137

HHH

gr. 2

200

HHH

Black

Light Gold

Copper

Bone Black PBk9 Aniline Black PBk1



gr. 2

2098058 INTRO SET CARDBOARD BOX 8 assorted 20 ml tubes 1 Pencil and Charcoal Fixative 75 ml bottle 1 White bristle brush

2098335 PLASTIC BOX Plastic dividers 12 assorted 20 ml tube

2098330 CARDBOARD BOX 6 assorted 20 ml tube (primary – 2 white – black)

“The sketch is a study, an attempt” Gianni Maimeri, The diary June 1910.

Metallic powder colours A discrete, toned-down glimmer of gold is often what gives an ornament its secret fascination. Watersoluble metallic powder colours, used individually or mixed with gouaches or watercolours to obtain an infinite variety of hues, are also recommended for small-scale restoration work and for touching up frames and gilding. Metallic powder is kept dry and diluted only at the time of use to prevent oxidation and preserve its full brightness and splendour.

Gold Powder Simply dip a damp brush into the powder jar to obtain a colour which is easily applied to the surface to produce a perfectly smooth, covering coat.

All colours

14 = 60 ml bottle Sales unit 6 pieces

003

H

Silver

23 = Metallic powder colours, complete range 6 colours at a sole price

148

Aluminium powder pMeTAL1

140

H

Ducat Gold

H

Pale Gold Bronze powder pMeTAL2

Rich Gold Bronze powder pMeTAL2

152

Bronze powder pMeTAL2

144

H

H

Sequin Gold Bronze powder pMeTAL2

200

H

Copper Bronze powder pMeTAL2

“ When you draw houses, remember that people live in them” Gianni Maimeri, The diary January 21 1912.

fine gouache colours Very few people know how much Maimeri owes students the world over. Comparing notes with the young, with people who are just learning about art, is a demanding and difficult task, but the payback in terms of imagination and innovation has well exceeded our expectations. A range of gouache colours dedicated to them must meet a number of basic requirements. Tempera fine gouache colours are just the thing: simple,

Tempera Fine convenient, versatile; not too many colours, but well positioned over the colour spectrum to permit easy creation of all combinations. The paints can be diluted to any degree, used pure or thinned like watercolours. They are fully compatible and can be freely intermixed with one another and with other waterbased colours. They are sold in small packages with an excellent price to quality ratio, without any misleading manufacturer claims of “hype”. Very few people know how happy we are at Maimeri to see our colours in the hands of children and students.

Tempera Fine

25 = Fine Gouache Colours, complete range 27 colours at a sole price

All colours

Bianco

02 = 20 ml tube

06 = 60 ml tube

Sales unit 6 pieces

010

072

100

116

118

131

HHH

Sales unit 3 pieces

304

256

274

278

284

003

HHH

Silver

Titanium Dioxide PW6 Sodium Polysulphide-Aluminosilicate PB29

Hansa Yellow 10GPY3 Hansa Yellow GPY1 Chlorinated Phthalocyanine PG7

Titanium Dioxide+Mica Titanium Dioxide+Mica+Synthetic Iron Oxide

HH

305

HH

137

HHH

Orange Yellow


Light Goldo

Diarylide Yellow PY83 Naphthol AS PR112

Hansa Yellow 10GPY3 Phthalocyanine Beta PB15:3


HH

347

HHH

151

HHH

Giallo limone

Viridian (Hue)

Deep Gold

Hansa Yellow 10GPY3



HH

356

HH

Primary Yellow

Emerald Green

Hansa Yellow GPY1 Hansa Yellow 10GPY3

Titanium Dioxide PW6 Chlorinated Phthalocyanine PG7 Hansa Yellow 10GPY3

HH

358

HH

Deep Yellow

Sap Green



HHH

375

HH

HHH

Cobalt Blue (Hue) Phthalocyanine Alpha PB15:1 Titanium Dioxide PW6


166


Yellow Ochre

161

HH

White

390

HHH

Raw Sienna

Ultramarine

Synthetic Iron Oxide PY42 Synthetic Iron Oxide PR101 Ferrous Nitrous Beta Naphthol PG8


HH

400

HHH

Carmine

Primary Blue - Cyan



HH

402

HH


Prussian Blue

Naphthol AS PR146

Phthalocyanine Beta PB15:3 Dioxazine PV23 Carbon Black PBK7

HH

443

HHH

Scarlet

Violet

Naphthol AS PR112

Dioxazine PV23

HHH

492

HHH

Burnt Sienna

Burnt Umber

Synthetic Iron Oxide PR101 Synthetic Iron Oxide PR101PBk11

Synthetic Iron Oxide PR101PBk11 Synthetic Iron Oxide PY42 Carbon Black PBK7

HH

530

HHH


Black

Naphthol AS PR112 Hansa Yellow GPY1

Carbon Black PBK7

“Drawing is the product of thought, of poetry, of the spirit” Gianni Maimeri, The diary December 16 1912

varnish colours Pure, authentic, lightfast pigments mixed with mastic resin and refined hydrocarbon solvents are the ingredients that go into this line of colours that has proven popular with restoration and conservation workers the world over. Restoration is a severe test, pitting half a century of Maimeri quality against the great masterworks of western art. This line makes use of a number of earths, which Maimeri still obtains from the best sources: authentic Sienna Earth,

Restauro often replaced by imitations using artificial oxides in today’s colours, various shades of Green Earths, authentic Umber Earths and Cassel Earths. Ocres, natural iron oxides, are still obtained by grinding the mineral; Maimeri does not use artificial precipitates prepared by industrial processes. Only the Lakes have been replaced by new products of organic synthesis, which maintain the same tone as the traditional pigment but with better lightfastness. Naples Yellow is lead antimoniate, as required by medieval recipes, and of course the mastic resin used is from the Island of Chios, whose name has always been linked with the best-known varnish resin.

Restauro

33 = Varnish Colours, complete range 33 colours in 4 price groups

All colours


018

020

081

082

083

084

104

131

133

134

161

167

HHH

gr. 1

178

HH

gr. 2

390

HHH

gr. 2

Titanium White


Ultramarine

Titanium Dioxide PW6 Zinc White PW4

Anthraquinone PR83 Sodium Polysulphide-Aluminosilicate PV15


HHH

gr. 1

224

HHH

gr. 4

416

HHH

gr. 4

White di zinco

Cadmium Red Orange

Cerulean

Zinc White PW4



HHH

gr. 3

228

HHH

gr. 4

474

HH


Cadmium Red Medium

Brown Madder (Alizarin)



Hydrated Chromíum Oxide PG18 Diarylide Yellow PY83 Anthraquinone PR83

HHH

gr. 3

242

HHH

gr. 1

482

HHH


Indian Red

Transparent Brown



Natural Earth PG23 Original Natural Earth PBr7 Original Calcined Natural Earth PBr7

HHH

gr. 3

276

HHH

gr. 1

484

HHH


Pozzuoli Earth

Vandyke Brown


Synthetic Iron Oxide PR101 Natural Earth PBr7

Original Calcined Natural Earth PBr7 Bone Black PBk9

HHH

gr. 3

278

HHH

gr. 1

490

HHH

Cadmium Yellow Deep

Burnt Sienna

Cassel Earth



Natural Earth PBr7

HHH

gr. 2

290

HH

gr. 2

492

HHH

Naples Yellow

Green Lake

Burnt Umber

Zinc White PW4 Arylide Yellow PY97 Synthetic Iron Oxide PY42

Chlorinated Phthalocyanine PG7 Benzidine Yellow PY17 Diarylide Yellow PY83


HHH

gr. 1

296

HHH

gr. 1

493

HHH

Yellow Ochre

Green Earth

Raw Umber


Natural Earth PG23

Natural Earth PBr7

HHH

gr. 1

297

HHH

gr. 1

535

HHH

Yellow Ochre Pale

Antique Green Earth

Ivory Black

Natural Iron Oxide PY43 Zinc White PW4

Natural Earth PG23 Original Natural Earth PBr7

Bone Black PBk9

HHH

gr. 1

336

HHH

Golden Ochre

Chrome Oxide Green

Natural Iron Oxide PY43 Natural Iron Oxide PY43

Chromium Oxide PG17

HHH

gr. 1

348

HHH

gr. 2

gr. 2

Raw Sienna

Viridian



HH

gr. 2

372

HHH

Permanent Carmine

Cobalt Blue

Anthraquinone PR83


gr. 4

gr. 2

gr. 1

gr. 1

gr. 1

gr. 1

gr. 1

gr. 1

“ Colour is matter, sense, reality” Gianni Maimeri, The diary December 16 1912.

ketonic resin colours Ketonic resin colours for restoration are the outcome of a study intended to complete the range of colours for retouching which Maimeri offers for conservation and restoration work of all kinds the world over. The new range of colours, produced by binding lightfast tested pigments with ketonic resin and selected hydrocarbon solvents only, now offers the greatest reversibility and resistance to yellowing. Ketonic resin colours are offered alongside the

Restauro traditional line of mastic resin based colours for restoration in response to the most recent demands of scientific research into the conservation of works of art. While the proven line of mastic resin colours is ideal for touching up works which have been varnished or finished with traditional natural resins, this new line is better suited for use with modern synthetic varnishes, now used in restoration and conservation even of older paintings, adding the value of unbeatable lightfastness in the binder. The two lines may be mixed together and thinned using the same thinners.

Restauro con resina chetonica 34 = Ketonic Resin Colours, complete range 20 colours in 3 price groups

All colours


018

054

082

116

131

HHH

gr. 1

161

HHH

gr. 1

278

HHH

gr. 1

400

HHH

Titanium White

Raw Sienna

Burnt Sienna

Primary - Cyan

Titanium Dioxide PW6 Zinc White PW4




HHH

gr. 2

167

HHH

gr. 2

336

HHH

gr. 1

492

HHH

Cadmium Orange

Alizarine Carmine

Chrome Oxide Green

Burnt Umber


Quinacridone PR122 Quinacridone PR206

Chromium Oxide PG17


HHH

gr. 2

228

HHH

gr. 2

347

HHH

gr. 1

493

HHH


Cadmium Red Medium

Emerald Green (Hue)

Raw Umber




Natural Earth PBr7

HHH

gr. 1

242

HHH

gr. 1

372

HHH

gr. 3

514

HHH

gr. 1

gr. 1

gr. 1

gr. 1

Primary Yellow

Indian Red

Cobalt Blue

Payne Grey

Arylide Yellow PY97




HHH

gr. 1

256

HHH

gr. 1

390

HHH

gr. 1

535

HHH

Yellow Ochre


Ultramarine

Ivory Black


Quinacridone PV19


Bone Black PBk9

3399495 MAHOGANY CHEST 30 x 40 cm interior Wooden dividers Palette 32 Assorted 20 ml tubes 34 Assorted MaimeriBlu Superior Watercolours 1.5 ml pans 1 Fixative Varnish 250 ml bottle 1 Mastic Varnish 250 ml bottle 1 Turpentine Essence 250 ml bottle 1 Petroleum Essence 250 ml bottle 4 Ceramic bowls 1 Ceramic palette 1 Brush washer 12 Kolinsky sable brushes 3 Painting knives 3 Palette knives

gr. 1

“ The great question in painting is how to combine drawing with colour” Gianni Maimeri, The diary December 16 1912

pure artists’ pigments When we demand something more, something different from a painting technique, we have to go back to the pigments. As always, pure finely-ground pigment is the starting point for every special paste, for every new undertaking and for every new colour, in art, decoration and restoration. For artists wishing to work with such rare ancient techniques as fresco, egg tempera or encaustic painting, or give free rein to the wildest experiments, a genuine, dependable

Pigments pigment provides a dependable point of departure. This is why Maimeri offers not only ready-made colours but pure pigments packaged and sold in powder form, quality tested and guaranteed with the Maimeri name, in recognition of the fact that painting is a never-ending work in progress. This range of pigments is designed to meet all artists’ needs: from the ancient harmonious palette to the most vivacious tones of contemporary art. All colours are sold in precious glass jars like those once used in apothecaries or in the paint workshops where powders like these used to be kept.

Pigmenti

35 = Pure Artist’s Pigments, complete range 60 colours in 6 price groups Every color has different a specific weight, the weight is expressed in grams on the label in relation to the capacity of the jar.

All colours

17 = 100 ml ampoule Sales unit 3 pieces 018

020

054

060

062

081

082

083

HHH

lllll

gr. 1

111

HHH

lllll

gr. 4

348

HHH

lllll


Hansa Yellow G PY1



HHH

lll

gr. 2

112

HH

lllll

gr. 1

228

HHH

lllll

gr. 4

368

HHH

lllll

gr. 5

gr. 5

Bianco di zinco


Cadmium Red Medium

Cerulean Blue

Zinc White PW4

Hansa Yellow 10 G PY3



HHH

llll

gr. 3

114

HH

lllll

Cadmium Orange




HHH

lllll

gr. 1

130

HHH

lllll

gr. 2

gr. 1

230

232

HHH

lllll

gr. 4

373

HHH

lllll

Cadmium Red Purple

Cobalt Blue Light


Cobalt-Aluminium PB28

HHH

lllll

gr. 4

374

HHH

lllll

Mars Orange

Italian Ochre

Cadmium Red Deep

Cobalt Blue Deep




Cobalt-Aluminium PB28

HHH

lllll

gr. 6

131

HHH

lllll

gr. 1

244

HHH

lllll

Permanent Orange

Yellow Ochre

English Red

Anthraquinone PO43



HHH

llll

gr. 3

132

HHH

lllll


Yellow Ochre Light



HHH

llll

gr. 3

134

HHH



llll

gr. 3

162

HHH

llll

gr. 3

167

HHH

lllll

gr. 1

186

HHH

248

HHH

lllll

252

HH

lllll

gr. 1

278

HHH

lllll



l

gr. 3

296

HHH

lllll

Permanent Carmine

Green Earth

Anthraquinone PR83

Natural Earth PG23

lllll

gr. 4

321

HHH

lllll

Mars Yellow

Magenta Quinacridone

Phthalo Green


Quinacridone PR122


HHH

lllll

gr. 4

193

HHH

335

lll gr. 3

Naples Yellow

Ultramarine Rose



HHH

lllll

gr. 3

212

HHH

lllll

HHH

391

gr. 3

392

HHH

lllll

gr. 1

HHH

lllll

gr. 1

Ultramarine Deep

gr. 1

402

HHH

l

gr. 1

Prussian Blue Ferric Ferrocyanide PB27

gr. 1

428

HHH

lllll

gr. 1

Sky Blue Ultramarine Sodium Polysulphide-Aluminosilicate PB29

gr. 2

431

HHH

lllll

gr. 5

Phthalocyanine Turquoise

lllll


gr. 5

440

lllll

HHH

lllll

gr. 2

Ultramarine Violet


336

HHH


Light Green Oxide

gr. 4

gr. 2


Burnt Sienna

HHH

gr. 2

Naphthol AS PR9

lllll

lllll



gr. 1

HHH

gr. 5

Ultramarine Light

Raw Sienna Light

HH

378

gr. 5

Phthalo Blue

Permanent Red

Golden Ochre

HHH

gr. 1

gr. 1

Mars Red

lllll



109

226

Viridian

Cadmium Yellow Deep

104

gr. 1

Cadmium Red Light


102

lllll

Permanent Yellow Light


084

HH

Titanium White


gr. 3

451

HHH

l

Nickel Titanate Yellowo

Quinacridone Rose

Chrome Oxide Green

Cobalt Violet Pale


Quinacridone PV19

Chromium Oxide PG17


gr. 6

452

HHH

lllll

gr. 6

Cobalt Violet Deep

lllll Hight


459

lllll Hight

HHH

lllll

gr. 2

HHH

l

gr. 3

Mineral Violet Manganese Ammonium Pyrophosphate PV16

HHH

lllll

gr. 4

Permanent Violet Dioxazine PV23

476

HHH

lllll

gr. 2

Mars Brown Synthetic Iron Oxide PR101PBk11

485

HHH

lllll

gr. 1

Caput Mortuum Synthetic Iron Oxide PR101

490

HHH

lllll

gr. 1

Cassel Earth Natural Earth PBr7

492

HHH

lllll

gr. 1

Burnt Umber Calcined Natural Earth PBr7

493

HHH

lllll

gr. 1

Raw Umber Natural Earth PBr7

535

HHH

lllll

gr. 1

lllll

gr. 1

Ivory Black Bone Black PBk9

537

HHH Carbon Black

Carbon Black PBk7

540

HHH

lllll

Mars Black Synthetic Iron Oxide PBk11

lllll Medium lllll Scarce


464

-Medium

lllll Medium

Mars Violet

460

Lime resistance

gr. 2

- Low

“ Painting must taint the painter’s entire life. Gianni Maimeri, The diary January 23 1917.

charcoals and gum eraser Charcoals, the ideal instrument for tracing compact, smooth black lines, are now produced from particular kinds of wood burned in a vacuum to ensure that they are completely charred. Traditionally charcoals were manufactured exclusively from the wood of the spindle-tree, but now willow wood is preferred, as it offers the same quality and is more widely available. Lines drawn with charcoal are strong and full of

Charcoals character, and enclose the full content of many works. Gianni Maimeri himself demonstrated the power and emotional content of the line obtainable with the product in his collection I Musicisti. (The Musicians)

6255000 GUM ERASERS

6263100 SCENOGRAPHY CHARCOALS

pack 20 each, size 25 gr.

variable diameters lenght 13 cm approximately

WILLOW CHARCOALS N°1

WILLOW CHARCOALS N°2

diameters 5 mm lenght 14 cm

diameters 10 mm lenght 14 cm

6261005 6261010 6261025 6261050

contains contains contains contains

5 each 10 each 25 each 50 each

6262005 6262010 6262025 6262050

contains contains contains contains

5 each 10 each 25 each 50 each

Auxiliary products for oil painting code description

composition

features and use notes

sizes

600 ODOURLESS THINNER

Refined petroleum distillate, aromatic-free

Almost completely odourless and colourless fluid. It has a moderate solvent power. Suitable for indoor use or for people sensitive to the odour of normal solvents.

75 ml 250 ml 500 ml 1000 ml

= 16 = 26 = 34 = 40

Refined petroleum distillate

Light thinner, fast evaporation. Good solvent power. Ideal for cleaning brushes.

75 ml 250 ml 500 ml 1000 ml

= 16 = 26 = 34 = 40

Essential oil extracted from conifer buds

Vegetable solvent of antique origins. Medium-slow evaporation. Sensitive to light and air, when mixed with colours it tends to give a mat effect. Suitable also for cleaning brushes.

75 ml 250 ml 500 ml 1000 ml

= 16 = 26 = 34 = 40

Thixotropic alkyd resin White spirit Excipients Titanium dioxide

Oil based primer, with little absorbency. It does not need thinning. More coats are to be applied 24 hours apart, for a smoother surface. Ideal base for oil colours, but suitable for other mediums as well.

500 ml

= 34

Linseed oil Petroleum essence White spirit Drying agents

Medium to reduce the drying time of oil colours, decreasing their consistency. Use sparingly, checking the drying time reduction.

75 ml 250 ml 500 ml 1000 ml

= 16 = 26 = 34 = 40

Thixotropic alkyd resin White spirit Drying agents

Gel to reduce the drying time of oil colours, leaving their viscosity unchanged. Use sparingly, checking the drying time reduction. Shake the bottle well before using.

75 ml 250 ml 500 ml 1000 ml

= 16 = 26 = 34 = 40

Safflower oil Drying agents Fillers

Pigment-free oil colour: its consistency and body make it suitable for painting heavy coats. Mixed with colours very rich in pigments, it reduces costs without altering their consistency. It dries quickly and does not yellow.

60 ml

= 06

Tixotropic Acrylic resin (15%). White spirit Thickeners

This is a semi-shiny amber-colored medium that improves fluidity and transparency and softens brushstrokes. It is easy to mix, using brush or palette-knife and can be used instead of oil. When coating or overlapping colors nothing else is needed to increase the flexibility of subsequent layers: just increase the amount of Oilyn, gradually adding it as work proceeds.

75 ml 250 ml 500 ml 1000 ml

= 16 = 26 = 34 = 40

White spirit Linseed oil

Medium to reduce the oil colours consistency, without loosing their richness, as solvents do. It tends to yellow.

75 ml 250 ml 500 ml 1000 ml

= 16 = 26 = 34 = 40

Safflower seed extract (saffranon)

Drying oil recently introduced, with similar features to poppy seed oil. It does not yellow and dries quickly. It helps to soften and make more fluid oil colours. Particularly suitable for white and light colours.

75 ml 250 ml 500 ml

= 16 = 26 = 34

Refined linen seed extract

Drying oil, it has the tendency to yellow. Good drying quality. Used as medium, increases the brightness and glossiness of the colour, spreads the brush stroke, so reducing its marks.

75 ml 250 ml 500 ml 1000 ml 5000 ml

= 16 = 26 = 34 = 40 = 48

XN

For oil painting Flammable Harmful

604 PETROLEUM ESSENCE F

XN

For oil painting Highly flammable Harmful Dangerous for the environment

606 ESSENZA DI TREMENTINA RETTIFICATA

XN

For oil painting Flammable Harmful Dangerous for the environment

616 OIL PAINTING PRIMER For oil painting Flammable

626 DRYING MEDIUM

XN


628 DRYING GEL MEDIUM For oil painting Flammable Dangerous for the environment

632 IMPASTO MEDIUM For oil painting

645 OILYN F

For oil painting Highly flammable Dangerous for the environment

646 OILY THINNER

XN

For oil painting Flammable Harmful

648 SAFFLOWER OIL For oil painting

650 LINSEED OIL For oil painting

Auxiliary products for oil painting code description

composition


sizes

652 STAND LINSEED OIL For oil painting

Refined linseed oil, polymerised through heating

High viscosity oil, with tendency to yellow. It imparts a very glossy texture and spreads the brush stroke. It is advisable to wait about 1 month before varnishing the painting with a finish product.

75 ml 250 ml

= 16 = 26

654 WALNUT OIL

Refined walnut kernel extract.

Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colours.

75 ml 250 ml 500 ml

= 16 = 26 = 34

Refined poppy seed extract

Valuable oil of extreme purity and lightfastness. It does not yellow and dries slowly. Similar to safflower oil, it is particularly suited for white and very light colours.

75 ml 250 ml 500 ml

= 16 = 26 = 34

Refined petroleum distillate Aromatic content lower than 20%

Thinner with good solvent power for oil colours and varnishes. Very slow evaporation. Suitable also for cleaning brushes and palettes.

75 ml 250 ml

= 16 = 26

Dammar resin (40%) Turpentine essence Alcohols

Traditional final natural varnish. It tends to yellow. Its normal amber colour and any sediment do not compromise the final result. It imparts greater brightness and shine to colours.

75 ml 250 ml 500 ml 1000 ml 5000 ml

= 16 = 26 = 34 = 40 = 48

Ketonic and acrylic resin (25%) White spirit Poppy seed oil

Fatty varnish that, mixed with oil colours, prevents uneven drying, and produces bright tones. Increases the adhesion to the surface and the flexibility of colours. Use sparingly.

75 ml

= 16

Ketonic and acrylic resin (45%) White spirit UV filter

Glossy, non yellowing varnish.Wait till the painting is fully dry before varnishing. Particularly protective thanks to its UV filter. Reversible product.

75 ml 250 ml 500 ml 1000 ml

= 16 = 26 = 34 = 40

Acrylic resin (30%) White spirit Silica

Iridescent solution that produces a mat, very resistant film. Shake well before using.Do not apply on very absorbent surfaces, if not previously treated with insulating varnish. It can be mixed with Gloss picture varmish to obtain different degrees of glossy or mat effects. Reversible product.

75 ml 250 ml 500 ml

= 16 = 26 = 34

Natural mastic resin from Chios (31%) Turpentine essence

Very valuable natural varnish of antique tradition. It is very flexible and elastic, giving to the painting a particular brightness. It tends to yellow in time. Reversible product.

75 ml 250 ml 500 ml

= 16 = 26 = 34

Acrylic and ketonic resin (35%) White spirit

Final varnish combining the flexibility and hardness qualities of its components. It can also be used for other mediums.

75 ml 250 ml

= 16 = 26

Ketonic resin (25%) White spirit Petroleum essence

Light final varnish. Suitable to remove mat areas formed on unfinished areas, while painting.Medium drying time. It is also used as final varnish, when little gloss is required.

75 ml 250 ml 500 ml

= 16 = 26 = 34

For oil painting

656 POPPY OIL For oil painting

660 WHITE SPIRIT

XN


664 DAMMAR VARNISH

XN


666 PAINTING VARNISH

XN


670 GLOSS PICTURE VARNISH F

XN


674 MAT PICTURE VARNISH

XN


682 MASTIC VARNISH

XN


684 PICTURE VARNISH

XN


686 RETOUCHING VARNISH F

XN


Auxiliary products for water-based painting code description

composition


sizes

608 OX GALL

Clarified and refined ox gall

Unpleasantly scented fluid with tensioactive properties that improve the adhesion on paper and power of watercolours and gouaches. It prevents colour changes and blotches.

75 ml 250 ml

= 16 = 26

Acrylic resin in water emulsion Titanium dioxide Fillers Stabilisers

Ideal primer for acrylic colours. It can also be used for any other type of paint. It dries in about 30 minutes. It is, however, better to wait 24 hr before painting over. Basically, it insulates the painting from the surface, so ensuring its better adhesion and durability. Adheres to all surfaces.

500 ml 5000 ml

= 34 = 48

Acrylic resin in water emulsion Carbon black Fillers Stabilisers

Ideal primer for acrylics, it provides the same coverage as White gesso. It dries in 30 minutes. It can be used with any other type of paint. Adheres to all surfaces.

500 ml 5000 ml

= 34 = 48

Acrylic resin in a water emulsion Titanium dioxide Fillers Stabilisers

Ideal primer for acrylic based colours.Adheres to all surfaces.Mat finish improves colour adhesion. Dries in 30 minutes.May be used with all types of painting techniques.

500 ml 1000 ml

= 34 = 40

Gum arabic Glycerine Water

Opalescent solution that increases watercolour transparency and colour brightness. It improves the adhesion to the surface and spreads the brush stroke.

75 ml

= 16

622 GLOSS MEDIUM

Acrylic resin in water emulsion Stabilisers

Milky fluid that increases the brightness of acrylic colours, improving their film resistance. It may also be used as finish, applying it only when the paining is absolutely dry.

75 ml 250 ml

= 16 = 26

627 MAT GEL MEDIUM

Acrylic resin in water emulsion Silica Thickeners and stabilisers

Colourless acrylic base, added to the colour increases its colouring power and brightness, letting unchanged its viscosity. Useful in thick painting techniques. Once dry, it is irreversible.

250 ml

= 26

Acrylic resin in water emulsion Thickeners and stabilisers

Colourless acrylic medium, useful for thick painting techniques. It increases slightly the brightness of the colour and the drying time, leaving their viscosity unchanged. Particularly recommended for diluting colours for glazing.

250 ml

= 26

Acrylic resin in water emulsion Thickeners and stabilisers

Colore acrilico non pigmentato. Conveniente per tecniche a spessore. Aumenta moderatamente la brillantezza dei colori mantenendone inalterata la viscosità e prolungando leggermente i tempi di essiccazione. Particolarmente indicato per la diluizione dei colori nella tecnica delle velature.

250 ml

= 26

Acrylic resin in water emulsion Silica Thickeners and stabilisers

Colourless acrylic glazing with high viscosity. Added to colours it improves their viscosity and gives a smooth, velvety texture. Useful for thick painting. It makes possible to obtain strong glossy/mat contrasts.

250 ml

= 26

Acrylic resin in water emulsion Silica

Milky fluid that reduces the shine of acrylic colours. It can be used also as mat finish. Mixed with Gloss medium makes possible to produce numberless degrees of shiny or mat effects. Shake well before using.

75 ml 250 ml

= 16 = 26

For watercolour and gouache

614 GESSO Acrylic colours primer

615 BLACK GESSO Acrylic colours primer

617 FINE GESSO Acrylic primer

620 WATERCOLOUR MEDIUM For watercolour painting

For acrylic painting

For acrylic painting

629 DENSE GEL MEDIUM (GLOSS) For acrylic painting

630 GEL MEDIUM (GLOSS) For acrylic painting

631 DENSE GEL MEDIUM (MAT) For acrylic painting

636 MAT MEDIUM For acrylic painting

Other auxiliary products code description

composition


sizes

602 LAVENDER ESSENCE

Rectified lavender essence

Pleasantly scented thinner. It dries less fast than Turpentine essence. It is also used as medium in oil painting.

75 ml

= 16

Chios mastic resin and ketonic (10%) Plasticiser Alcohols Ethyl acetate

Clear fluid to protect drawings and increasing the medium adhesion to the surface. Spray with quick movements. Keep the container well closed.

75 ml

= 16

Chios mastic resin and ketonic (11%) Alcohols

Fixative from a conventional formula, with very valuable resin. Spray application. Keep the container well closed.

75 ml

= 16

618 ARTISTS’ MASKING LATEX

Natural rubber latex Ammonia Water

Milky fluid to apply with brush to mask out surfaces not to be painted. Drying the latex makes a flexible and water resistant film, easy to remove. Clean the brush immediately after use.

75 ml

= 16

624 BRONZING MEDIUM

Ketonic resin (45%) White spirit

Clear solution, completely neutral, it is the perfect mastic for bronze, aluminium powder or any other pigment.

75 ml

= 16

Linseed stand oil Wood stand oil White spirit Drying agents

Cement. Apply the gold leaf 12 hour after coating with the product. Once dry, rub forcefully the gold leaf with a wool rug.

75 ml 250 ml 500 ml

= 16 = 26 = 34

662 VENETIAN TURPENTINE

Venetian turpentine (91%) White spirit

Golden solution, called also “Fatty essence”, it is used as medium for Terzo Fuoco ceramic pigments. It is used as medium in oil painting, to increase the shine and flexibility of the colour surface.

75 ml 250 ml

= 16 = 26

667 ACRYLIC PICTURE VARNISH

Acrylic resin (30%) White spirit UV filter

Finishing varnish based on non yellowing solvent, easy to apply. The UV filter makes this finish very suitable for outdoor painting.

75 ml 250 ml 500 ml

= 16 = 26 = 34

668 WATER-BASED PICTURE VARNISH

Acrylic resin in water emulsion (80%) Stabilisers

An alternative to traditional solvent varnish. Easy to apply, it enhances the colour brightness. It does not yellow with time.

75 ml 250 ml 500 ml 1000 ml

= 16 = 26 = 34 = 40

671 MAT WATER-BASED PICTURE VARNISH

Acrylic resin in water emulsion (72%) Silica Stabilisers

Alternative product to conventional solvent varnishes. Easy to apply, it imparts a mat finish. It does not yellow in time.

75 ml 250 ml 500 ml

= 16 = 26 = 34

672 WAX-PICTURE VARNISH

Ketonic resin (45%) Beewax White spirit

Universal finish. Warm and shake before using. Its cloudy look does not affect the final appearance of the painting, which in fact acquires a soft and silky texture.

75 ml

= 16

676 FIXATIVE VARNISH

Acrylic resin (18%) White spirit

Clear and transparent solution, it does not yellow. It fixes and protects the painting or any other object. Suitable for any application. Clear and colourless, it is slightly mat if applied in a thin coat, while it acquires a glossy look in thicker coats.

75 ml 1000 ml

= 16 = 40

For oil and ceramic painting XN

610 PENCIL AND CHARCOAL FIXATIVE F

Highly flammable

612 PASTEL FIXATIVE F

XN

Highly flammable

Flammable Harmful Dangerous for the environment

644 OPERATION FOR GOLD LEAF XN


For oil and ceramic painting Flammable

XN

For oil and acrylic painting Flammable Harmful Dangerous for the environment

For oil and acrylic painting

For oil and acrylic painting

Flammable Dangerous for the environment

XN


Other auxiliary products code description

composition


sizes

678 PATINA VARNISH

Urethane oil and Alkyd resin (56%) White spirit Drying agents

Fatty amber finish, giving the painting an antique look. It is used as undercoat for the Picture cracking finish. It yellows in time.

75 ml 250 ml 500 ml 1000 ml

= 16 = 26 = 34 = 40

680 INSULATING VARNISH

Vinyl resin (12%) Alcohols Acetates

A clear, colourless varnish for application over mat colours prior to application of Final mat varnish. Acts as insulation to prevent sedimentation of matifying components contained in products to rise to the surface, resulting in white spots.

250 ml

= 26

Starch Dextrin Water Antifermentation agents

Amber solution, ready to use. Brush over the surface treated with the Patina varnish. Once the cracks are formed and blackened, apply another coat of Patina varnish.Temperature and humidity of the environment affect the size of the cracks.

75 ml 250 ml 500 ml 1000 ml

= 16 = 26 = 34 = 40

Flammable Dangerous for the environment

F

Highly flammable Irritant

688 PICTURE CRACKING VARNISH

Auxiliary products for restoration code description

composition


sizes

601 THINNER FOR RESTORATION

Isoparaffin hydrocarbons aromatic

Odourless thinner, scent-free. It is used to dilute the Final varnish for restauration. Particularly indicated for an even application of varnish coats.

75 ml 250 ml

= 16 = 26

Essential oil extracted from conifer buds

Vegetable solvents of old tradition. Medium-slow evaporation. Sensitive to the light and the air, mixed with the colors it stretches to opacify. Suitable also for cleaning brushes.

75 ml

= 16

Amyl acetate Aromatic hydrocarbons Ethyl acetate Isopropyl alcohol

Similar to aromatic solvents, this powerful solvent is definitely less toxic. Particularly indicated for removing natural resin varnishes.

75 ml

= 16

Ketonic resin (50%) Isoparaffin hydrocarbons

Delicately applied, this varnish avoids the removal of Varnish colours for restoration. Thin with the Thinner for restoration.

75 ml

= 16

Natural mastic resin (40%) Turpentine essence

Highly priced natural varnish of traditional use. Very flexible. To use as addition to restoration colours.

75 ml

= 16

Ketonic resin (22%) White spirit

Very fast drying, light varnish for retouching and restoration. Moderately shiny, it does not yellow.

75 ml

= 16

XN

Flammable Harmful

607 BI-RECTIFIED TURPENTINE ESSENCE

XN


661 STRONG SOLVENT FOR RESTORATION F

Highly flammable

677 FINAL VARNISH FOR RESTORATION XN

Harmful

683 CONCENTRATED MASTIC VARNISH XN


687 RETOUCHING VARNISH FOR RESTORATION XN


Aerosol code description

composition


sizes

603

SICCATIF VARNISH

Acrylic resin 3% Mixture of solvents 71% Mixture of siccatives from 0,5% to 1% Butan, Isobutan, Propan 25% UV filter

Varnish based on desiccative additives. It reduces notably the drying time and it doesn’t modify the shades. Suitable exclusively for oil colors.

bombola 400 ml

= 32

FIXATIVE

Ketonic resin 6% Petroleum distillates 58% Castor oil 1% LPG propellant 35% UV filter

Colourless varnish to use sparingly to fix and protect drawings, paste gouaches. Keep the can in a vertical position, spraying in quick movements, at a distance of about 30 cm from the drawing.

bombola 400 ml

= 32

VERNICE DAMAR

Dammar resin 22,4%, Turpentine oil 25,24%, N-butyl alcohol 8,44%, Solvent naphtha (petroleum) hydro treated heavy Note P Benzene 9,91%, Dimethyl ether 15%, Liquefied Petroleum Gas Note K 1,3- Butadiene 19%

Tradition final natural varnish. It tends to yellow. Its normal amber colour and any sediment do not compromise the final result. It imparts greater brightness and shine to colours. Spray on with a rapid movement, holding can upright at a distance of about 30 cm from the work.

bombola 400 ml

= 32

FINAL VARNISH

Ketonic resin 16% Petroleum distillates 49% LPG propellant 35% UV filter

Colourless varnish producing a very resistant film. It is used to varnish thoroughly dry oil paintings, acrylics, etc. Shake before using. Keep the can in a vertical position, when spraying, at a distance of about 30 cm from the painting. It dries fast.

bombola 400 ml

= 32

FINAL MAT VARNISH

Acrylic resin 10% Petroleum distillates 54% Silica 1% LPG propellant 35% UV filter

Colourless varnish, producing a very resistant mat film. It contains an opaque texturing agent, which tends to settle at the bottom, it is therefore advisable to shake the can well before using. Keep the can in a vertical position, when spraying, at a distance of about 30 cm from the painting. It dries fast.

bombola 400 ml

= 32

FIXATIVE VARNISH

Acrylic resin 9% Petroleum distillates 41% LPG propellant 50% UV filter

Universal, colourless protective varnish.Invisible when sprayed in a thin coat.It is used to fix and protect documents, drawings,watercolours, prints, gouache and oil paintings.It dries fast. Keep the can in a vertical position, when spraying, at a distance of about 30 cm from the painting.

bombola 400 ml

= 32

RETOUCHING VARNISH

Ketonic resin 10% Petroleum distillates 55% LPG propellant 35% UV filter

Colourless light varnish, to be used also while painting, to eliminate opaque spots that may appear on unfinished areas. It dries fast and is moderately glossy. Keep the can in a vertical position, when spraying, at a distance of about 30 cm from the painting.

bombola 400 ml

= 32

F

609 F

665 F

669 F

673 F

XN

675 F

685 F

Extremely flammable

Extremely flammable Irritant

Extremely flammable Harmful Dangerous for the environment

Extremely flammable Irritant

Extremely flammable Irritant Dangerous for the environment

Highly flammable

Extremely flammable