(1582) by Orlando di Lasso between. Counter-Reformation and Reformation ... Studies. Cristina UrchueguÃa: The Opera Omn
PROGRAMME MEDREN 2012 University of Nottingham, Music Department ROOMS: RH: Rehearsal Hall ACTL: Arts Centre Lecture Theatre
DRH: Djanogly Recital Hall
ER: Endsleigh Room SR: Seminar Room
Sunday 8 July 12-30-13.30 13.30-15
Foyer/RH WELCOME
DRH
ACTL
ER
SR
S1: Willaert Ch: Katelijne Schiltz Jane Dahlenburg: Willaert at Work: Multiple Settings of Popular Chansons
S2: Revisiting Rudolf II (I) Ch: Christian Leitmeir Jan Bat’a: Between Court and City: Rudolphine Musicians within Prague Congregations ca. 1600 Michaela Zackova-Rossi: The Musicians at the Court of Rudolph II (1576–1612) in the Imperial Account Books
S3: Heinrich Isaac's Music in Italy Ch.: David Burn Giovanni Zanovello: Mixing Rituals: Heinrich Isaac's Mass ‘Misericordias Domini’ Molly Ryan: The Manuscript Florence, Biblioteca Nazionale Centrale, II.I.232 and the Reception of Heinrich Isaac’s Motets in Italy
S4: Scribes Ch: Gregorio Bevilacqua Christoph Weyer: The Codex Ms D1 – Witness of an Old Neum Dialect
Luca Bruno: Reconstructing Lost Voices: the Harmonic Perspective in Adrian Willaert’s ‘Canzon di Ruzante’
Vladimír Maňas: Rudolfine Musicians and the Court of Karl von Liechtenstein
Warwick Edwards: Isaac’s ‘La mi la so’ Fantasia-Motet and its Context
Miriam Wendling : Scribes and Pitch at Bamberg Cathedral
S5: Italy c.1600 Ch: Richard Freedman
S6: Revisiting Rudolf II (II) Ch: Erika Honisch
S8: Juan de Anchieta at 550 Ch: David Fallows
Antonio Cascelli: Monteverdi’s ‘Era l’anima mia’: a Response to ‘Cruda Amarilli’ and ‘O Mirtillo’.
Christian Leitmeir: Da pacem Domine: The Desire for Peace in Rudolfine Music
Alejandro Planchart: Contrapuntal Structure, Instrumentation, and Dramatic Form in Monteverdi’s L’Orfeo Paul Schleuse: Pictures for the Singers?—Illustrations in Music Books by Adriano Banchieri
Erika Honisch: ‘We Sing, We Drink, We Eat’: Motets and Popular Devotion in Rudolfine Bohemia Emiliano Ricciardi: The Musical Reception of Torquato Tasso’s Rime in Rudolfine Prague
S7: Music across the Mediterranean in the 16th-century Ch: Esperanza Rodríguez-García Ilaria Grippaudo & Giovanna Vizzola: Music at San Martino delle Scale (Palermo) during the Renaissance period: Mauro Ciaula and the book of ‘Lamentationes ac Responsoria’ for the Holy Week (Venice, 1597) Vilena Vrbanić: Musical Culture of Northern Croatia in the 16th Century with Special Emphasis on Zagreb Cristina Menzel Sansó: The Reception of the 16th Italian Music in the Western Mediterranean Area
Daniel Donnelly: Parody, Subversion, and Venetian Identity in the Greghesche of Antonio Molino
15-15.30 15.30-17.30
Neil McEwan: Singing the Chant – Important Interpretative Signs and Letters in 10th Century Manuscripts
REFRESH.
Tess Knighton: Juan de Anchieta, the Burgundian Chapel, and Motet Composition
Kenneth Kreitner: Anchieta and the Spanish Mass Eva Esteve: Works for the Office by Juan de Anchieta. Maricarmen Gómez: Juan de Anchieta: The Songs
17.45-18-45 18.45-19.30
ANNIVERSARY TALK: Prof. Stanley Boorman RECEPTION
1
Monday 9 July Foyer/RH 9-11
DRH S9: Instruments and Instrumentations Ch: Francis Knights
Magdalena Tomsinska: Gdańsk Lute Tablature D-B Ms. Danzig 4022 – Lute Music between Renaissance and Baroque Reinier de Valk: ‘Ein Tabulaturbuech auff den rechten Grund yetziger zeit Lauttenkunst’: Intabulation Technique and Polyphonic Structure in Sebastian Ochsenkun’s Tabulaturbuch (1558) Matthew Spring: The Composition of The Songs of Alonso Mudarra in the Third Book of Tres libros de musica en cifras para vihuela (1546)
11-11.30 11.30-12.30 12.30-13.30 13.30-15.30
ACTL S10: Considerations Around the Whole and its Parts in the Long English Renaissance: (I) Domestic Spaces and Practices Ch: Kerry McCarthy Emilie Murphy: 'Adoramus te Christe': The Transformation of Domestic Space in a Northamptonshire Recusant Household
ER S11: Court Patronage and Politics Ch: Giovanni Zanovello
SR S12: Reformations Ch: Robin A. Leaver
Katherine Butler: Castiglione’s Characters: Contrasting Views on Music and Courtliness in the Sixteenth Century
James Burke: The Willmott and Braikenridge Manuscripts
Mercedes Castillo- Ferreira: Plainchant and Politics in Modern Era: Masses and Offices on Battles and Victories
Grantley McDonald: The Inner and the Outer Word: the Pamingers of Passau and the Negotiation of Self within the Religious Conflicts of the Sixteenth Century David J. Burn & Inga Behrendt: Leonhard Paminger’s Music for Easter
Bianca Brajuha: The Division Viol or Violin? Interactions between the Viol and Violin in Early Modern England
Jeffrey Dean: Loÿset Compère and the Peace Motet he Took to the War
Ute Evers: A Lutheran Quem queritis?
Andrew Johnstone: A Prayer Politicized: The Subtext of William Byrd's Anthem ‘O Lord, Make thy Servant’
Tim Shephard: Chapel Choirs and Political Philosophy in Italy
Andrew Cichy: Smuggled Song: the Seminary Priests and Recusant Music during the Seventeenth Century
S14: Considerations Around the Whole and its Parts in the Long English Renaissance: (II) English Composers Revisited Ch: Hector Sequera Kerry McCarthy: Byrd's Masses Revisited
S15: Music in the city of Augsburg between Reformation and CounterReformation (I) Ch: Fabrice Fitch
S16: Patronage on the Iberian Peninsula Ch: Maricarmen Gómez
Franz Körndle: Jacob Fugger the Rich and the Invention of Music
Tessa Murray: Thomas Morley’s Catholicism: a Reappraisal
Moritz Kelber: A Musical Admonition for Unity? Ludwig Senfl‘s Motet ‘Ecce
Erika Honisch & Ferran EscrivàLlorca, introduction by Tess Knighton: The Music Library of a Knight of the Order of Santiago: Diplomacy and Music Collecting in the Sixteenth Century Ascensión Mazuela-Anguita: Female Musical Patronage in
REFRESH. LT CONCERT LUNCH S13: Sources and Readings Ch: Peter Wright
Veronika M. Mráčková: The Portability of Hymn Tunes in the Context of Local Saints in the Middle Ages
Honey Meconi: The Unknown Alamire: Lost Manuscripts Reclaimed
2
15.30-16 16-17.30
Sixteenth-Century Guadalajara
Patrice Nicolas: Error and quid pro quo in the Leiden Choirbooks: The Case of Jacotin’s Magnificat
Jeremy L. Smith: The Dilatory Space of ‘While that the sun’: Byrd, Tessier, and the English Sequence
Stephen Rice: The Many Faces of Pierre Moulu's ‘Missa Alma Redemptoris Mater’
David Allinson: Reconstructing Edmund Hooper’s ‘Flat’ Service
Bernadette Nelson: Music, Ceremony and Collecting at the Court of the Dukes of Braganza in the Sixteenth Century Ángel Manuel Olmos: Juan de Anchieta: Newly Discovered Documents
S17: Jean Richafort and Friends: ‘The Borrower’ and ‘The Borrowed’ Ch: Bonnie Blackburn
S18: Considerations Around the Whole and its Parts in the Long English Renaissance: (III) Other Aspects of English Music Ch: Jeremy L. Smith Andrew Cichy: Refractions and Reflections: Music in 17th-century English Convents on the Continent
S19: Music in the city of Augsburg between Reformation and CounterReformation (II) Ch: Inga Mai Groote
S20: Changing perceptions of Britain’s musical past Ch: Elina Hamilton
Erich Tremmel: Melchior Newsidler and the Organization of Music Groups in Late Renaissance Augsburg
Sakurako Mishiro: Thomas Morley and The Pathway to Musicke (1596) Revisited
Bernhold Schmid: The Motetta, sex vocum, typis nondum uspiam excusa (1582) by Orlando di Lasso between Counter-Reformation and Reformation Stefanie Bilmayer-Frank: Dedicatory Prefaces Addressed to the Fugger Family in 16th and Early 17th Century Music Prints
Joanna Clements: Ancient Minstrels: A Case Study in the Writing of Scottish Medieval Music History Lisa Colton: English Music and the Music of England: Searching for National Identity in Late Medieval English Music Samantha Bassler: The Convivial Catch and Gleeful Glee: The Role of Eighteenth-century Club Culture and Antiquarianism in the London Madrigal Society’s Reception of Early English Music
REFRESH.
Alice Tacaille: ‘Philomena praevia’ by Jean Richafort and Masses Based on it: Music and Latin Poetry in a Composer’s Workshop. Jennifer Thomas: ‘Whom do men say that I am?’ Compositional Practices in the Early ‘Quem dicunt’ Masses Cathy Ann Elias: Elevating the Mass with the Chanson
18-19
quam bonum’ at the Diet of Augsburg 1530 Katelijne Schiltz: From Pilgrim’s Song to Panegyric: An Eight-Voice Fuga by Ulrich Brätel
Hector Sequera: In the Privacy of Thy Chamber: Aspects of Musical Literacy in the English Renaissance
KEYNOTE 1: Prof. Richard Freedman:
20.00h Conference dinner
3
Tuesday 10 July Foyer/RH 9-11
DRH S21: WORKSHOP
Reconstructions workshop
ACTL S22: Guillaume de Machaut Ch: Kate Maxwell
Uri Smilansky & Yolanda Plumley: Early Owners of Machaut Manuscripts Catherine Attwood: A Dance to the Music of Fortune: further Thoughts on Literary/Musical Configurations of Fortune in the Works of Guillaume de Machaut Thomas J. D. Neal: The Composer as Exegete: an Intertextual Analysis of Machaut’s Motet 21
11-11.30 11.30-12.30 12.30-13.30 13.30-15
15-15.30
ER S23: Rethinking the old, building the new Edition of his Works Ch: Cristina Urchueguía
SR S24: The Reformation in Germany and Switzerland Ch: Daniel Trocmé-Latter
María Cáceres: Edition and Ideology: The Case of Morales Opera Omnia by Higini Anglés Christiane Wiesenfeldt: Morales's Magnificats: A Genre and its Problems
Matthew Laube: Women and Music at the Protestant Court in Heidelberg, 1556-1592 Joachim Kremer: ‘Ars absque usus’? The Institutionalisation of Church Music in Southwestern Germany 1520-1580
Sabine Feinen: Morales's Magnificats: Sources, Dissemination and Editorial Issues
Hyun-Ah Kim: Singing, Prayer and Sacrifice: the Neo-Platonic Revival of Musica humana in the Swiss Reformation Robin A. Leaver: Melanchthon’s Contribution to Lutheran Hymnody
Benjamin Albritton: ‘En amer a douce vie’: A Use-Case for Digital Machaut Studies
Cristina Urchueguía: The Opera Omnia Idea in the Times of the Internet
S26: Medieval England Ch: Lisa Colton
S27: Attributions Ch: Kenneth Kreitner
Elina Hamilton: Royal 12 C VI & Cotton Tiberius B IX : Transmission of Music Theory in Medieval England Amy Williamson: The Motet in England c1300: Liturgy, the Seasons and the Vernacular Tenor
Ralph Corrigan: An Anonymous Work in the Manuscript I-BU 2216: a Possible New Attribution to Estienne Grossin Javier Marin: Problems of Style and Authorship in a Salve Regina by ‘Victoria’ at Puebla cathedral (Mexico)
Solomon Guhl-Miller: Worcester Q 19 and its Effect on our Understanding of Modal / Pre-modal Notation and Roesner’s Concept of ‘House Style’
Sergi Zauner: Authorship or Stereotype? New Light on fabordones by Antonio de Cabezón and Rodrigo de Ceballos
REFRESH. LT CONCERT LUNCH S25: The Production and Reading of Music Sources: Mise-en-page in Manuscripts and Printed Books (I) Ch: Bonnie Blackburn Thomas Schmidt-Beste: An Institution and its Books: Size, Layout and Repertoire in the Polyphonic Codices of the Papal Chapel Sanna Raninen: 'When in Rome...': The Sistine Chapel Codices and the Production of Andrea Antico's Liber Quindecim Missarum Mara Hofmann: The Manuscripts from the Workshop of Petrus Alamire: Parallel Reading of Images and Music REFRESH.
4
15.30-17
17.15-18.15
S28: The Production and Reading of Music Sources: Mise-en-page in Manuscripts and Printed Books (II) Ch: Bonnie Blackburn Ian Rumbold: Aspects of mise-en-page in the Speciálník Codex (Hradec Králové, Muzeum Východních Čech, Knihovna, MS II A 7) Paweł Gancarczyk: Early Partbooks and their Significance for SixteenthCentury Musical Practice
S29: Fifteenth Century Song Ch: Jennifer Thomas
Christian Leitmeir: ‘Haec scripsit Leonhardus Frantz notista’: The Portfolio of a 16th-Century Music Scribe KEYNOTE II: Prof. Pedro Memelsdorff (PMMS Keynote)
David Fallows: Lost Song Sources in 15th-Century England
Adam Gilbert: Predicting the Past: Reconstructing Lost Polyphony in Anonymous Fifteenth-Century Chansons Jane Alden: A Marginal Presentation: Border Decoration in 15th-Century Chansonniers
20.00 Concert: The Marian Consort
5
S30: Local Saints and Local Devotion in the Southern Low Countries (12th15th Centuries) Ch: Alejandro Planchart Sarah Ann Long: Late-Medieval Offices and Masses for the Virgin Mary: Reevaluating the Social Context Surrounding the Tournai Mass Catherine Saucier: The Polyphonic Legend of St Lambert: Hagiographic Parallels between Two FifteenthCentury Motets Emily Thelen: The Musical Activities of the Seven Sorrows Confraternity of Brussels
S31: Theory and Notation Ch: Elizabeth Eva Leech
Karen Cook: But Does It Have a Flag? The Semiminim in Fourteenth-Century Theoretical Treatises Ruth DeFord: Proportional Diminution in the Theory of Johannis de Muris and his Followers Andrew Hicks: Twelfth-Century Platonism and the St Florian Commentary on Boethius’ De institutione musica
Wednesday 11 July Foyer/RH 9-11
DRH S32: Recent Computer Applications in Medieval and Renaissance Music Ch: David Fiala Tim Crawford: Early Music Online and the Electronic Corpus of Lute Music
ACLT S33: Counterpoint and Composition Ch: Warwick Edwards
ER S34: Music Theory Ch: Thomas Schmidt-Beste
SR S35: Motets Ch: Catherine Bradley
Guillaume Bunel: Fuga and Counterpoint 'Without Mode' in the Works of Josquin
David Lewis: Editing Tinctoris for a Digital Edition: Some Preliminary Developments
Dennis Collins: Analyzing Renaissance Music using Taneyev’s Theories of Moveable Counterpoint James Cook: Structural Planning in the Mid-Fifteenth-Century English Mass
Melanie Cross: Adam Gumpelzhaimer’s Compendium Musicae Latino-germanicum: Charting the Changes Inga Mai Groote & Bernhard Kolbl: Glarean's Music lectures, or the Transmission of Music Theory at a Mid-16th-century University Daniela V. Aretin: Medieval Namedropping? Authorship and Attributions in Music Theory
Jamie Greenberg Reuland: Holy Body and Sacred City in the Anonymous Motet ‘Ave corpus sanctum’ Carolann Buff : Johannes Ciconia and the Tenorless Motet
Ian Knopke & Frauke Jurgensen: Extracting Possible Temperaments from Historical Scores Using Symbolic Means Marnix van Berchum: Enhanced Editing of ‘The Other Josquin’ – The Latest CMME Editorial Project 11-11.30 11.3013.00
REFRESH. S36: Poster Session
Joseph Sargent: From MusicCentered to Text-Centered: Polychorality and the Renaissance Magnificat
S37: Medieval repertory Ch: Eva Maschke
S38: Lassus Ch: Philip Weller
David Burn, Emily Thelen and Stratton Bull: The House of Polyphony
Monica Roundy: Music Writing and Musical Writing: The Appearances of Voices in Douce 139
Barbara Eichner: Protecting the Muses, Promoting the Church: Lassus’ Patrocinium musices Reconsidered
Center for the History of Music Theory and Literature: Beyond the Thesaurus Musicarum Latinarum: A New Initiative for the Publication and Computer-Assisted Study of Early Music Treatises Philip Weller: An Unlikely Protagonist: John of Bridlington, ‘His’ Music and the Idea of Local and National
Ellen Hünigen: Relationship of Notational and Melodic Variants in Concordant Pieces of the Twelfth Century Aquitanian Two-Part Repertory
Diane Temme: Constraining musica reservata in a Study of the Structure of Lasso’s Penitential Psalms
Alexander Lingas: John Plousiadenos and the Codification of Byzantium's Musical Inheritance
Jacopo Mazzeo: The Conductus Melisma: Structure and Function
Adriano Giardina: Orlando di Lasso and the stylus mixtus
Eugenia Russell: A Post-Byzantine Akathistos Hymn to St Demetrius
6
S39: From Byzantine to PostByzantine Chant Ch: Kerry McCarthy Spyridon Antonopoulos: The Anoixantaria (Psalm 103) of Manuel Chrysaphes
Paul Kolb: Bride of Christ and Wisdom of God? The Virgin Mary in Busnoys’ ‘O pulcherrima mulierum / Girum celi circuivi’ Marco Gurrieri: The Domestic Saga of Eusebius Bohemus: a Bohemian Family between Zwickau and Wittenberg
13.0014.00 14:0016:00
Sainthood in the Early Fifteenth Century LUNCH S40: Roman de Fauvel Ch: Kate Maxwell
S41: Medieval Manuscripts Ch: Stanley Boorman
Dominique Gatté & David Catalunya: Ars Nova Polyphony in Cistercian Monasteries: New Sources Recently Discovered Sanna K. Iitti: Melody as a Rhetoric Device in the Lay ‘En ce dous temps d’esté’ in the Manuscript Français 146 at National Library of France Anna Zayaruznaya: Fauvel's vox articulate
Sarah Johnson: ‘I did it my way’: the Pragmatic Use of Liquescent Forms in the Cantigas de Santa María Eleanor Rutherford: Dominican Exemplars of the Newly-revised Liturgy
Luminita Florea: Beyond the Chimera: Ugolino’s Modal Hybrids
Gregorio Bevilacqua: The Eloquence of Absence
Eva Maschke: Treasures and Trash in Cistercian Libraries: Newly Discovered Conductus Fragments in a Clairvaux Manuscript
7
S42: Music and Musicians in the Saintes-Chapelles, 13th-18th c. Ch: David Fiala Daniel Saulnier: Liturgy, Plainchant and Music at the Paris SainteChapelle: Questions on the Identity of a Royal Institution Jacques Szpirglas: Singers between the Saintes-Chapelles and the Private Princely Chapels of the French Court Patrice Nicolas: Loyset Piéton, Master of the Choirboys at the Dijon Sainte-Chapelle (15331536): Possible Liturgical Contexts for his Music Camilla Cavicchi: The SainteChapelle of Chambéry and its Musical Foundation in the 15th Century
