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Review This is deep ethnography. Kristina M. Jacobsen illustrates the many ways Navajos think about, talk about, and perform membership in their community through the lens of country music. An engaging and important work.--David Samuels, New York UniversityKristina M. Jacobsen has given us an ear-opening exploration of how the socio-acoustic ideologies and practices of the voice inflect the politics of difference in Navajo country. Speaking and singing, generations and genres, places and P.A. systems, blood and belonging all blend together in this illuminating ethnography of country music as Navajo music. Jacobsens seamless integration of linguistic anthropology, ethnomusicology, and sociocultural anthropology should be an inspiration to all ethnographers.--Richard Bauman, Indiana University###The Sound of Navajo Country# is an insightful examination of current issues in Indigenous cultural
politics. Jacobsens investigation of voice and language in country music and other dimensions of expressive culture in the Navajo Nation illuminates the nuances of identity and language politics and the constant negotiation of authenticity. The books focus on a contemporary, rather than traditionally cultural, genre of music highlights the lived reality of modern Navajo life while offering a new and refreshing look at contemporary Navajo culture.--Kerry Frances Thompson (Din), Northern Arizona University Read more About the Author Kristina M. Jacobsen is assistant professor of music and anthropology (ethnology) at the University of New Mexico. She also cofacilitates the UNM honky-tonk ensemble, is a touring singer/songwriter, and fronts the all-girl honky-tonk band Merlettes. Read more
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