Very Important People - EOA.Projects

Beatles, Paul Weller, The Who, and Oasis. Mel Bochner's approach and materials constantly vary; in fact, the artist formally disavowed allegiance to a single ...
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Very Important People

EOA.PROJECTS GALLERY 40 ELCHO STREET LONDON SW11 4AU Mon- Sat 10:00 - 17:30

Alex Katz, Vivien in Black Hat, 2010, Silkscreen in 34 colors, 73 x 102 cm, Edition of 75

Sir Peter Blake, Mel Bochner, Chuck Close, Damien Hirst, Noorah Kareem, Alex Katz, Jeff Koons, Eric Parnes, Mohammed Shammarey and Joe Webb PRIVATE VIEW FRI 6 FEB / 6.30 - 8.30 PM EOA.PROJECTS GALLERY 40 ELCHO STREET LONDON SW11 4AU

A Very Important Person (VIP) is a person who is accorded special privileges due to his or her status or importance. The special treatment usually involves separation from common people, and a higher level of comfort. ARTISTS Sir Peter Blake is perhaps the most recognized and highly regarded artist of the British Pop Art movement. Much of his output – such as the sleeve for The Beatles’ ‘Sgt. Pepper’s Lonely Hearts Club Band’ – has achieved iconic status. Blake’s work reflects his fascination with all streams of popular culture, and the beauty to be found in everyday objects and surroundings. Many of his works feature found printed materials such as photographs, comic strips or advertising texts, combined with bold geometric patterns and the use of primary colours. The works perfectly capture the effervescent and optimistic ethos of the sixties, but are also strikingly fresh and contemporary. There is also a strain of sentimentality and nostalgia running throughout his work, with particular focus towards childhood innocence and reminiscence, as can be seen clearly in his recent Alphabet series. Blake is renowned for his connection with the music industry, having produced iconic album covers for the Beatles, Paul Weller, The Who, and Oasis.

Mel Bochner’s approach and materials constantly vary; in fact, the artist formally disavowed allegiance to a single material in his famous essay titled “the Medium and the Tedium” (2010). Bochner—who has produced paintings, installations, and photography—is noted to be one of the most influential pioneers of Conceptual art, and the organizer of the first Conceptual art exhibition in 1966. A recurring theme in Bochner’s work is the relationship between language and physical space or color. This is famously demonstrated in his “Measurement” installations of the late 1960s, visualizing the exact dimensions of rooms and exhibition spaces, and thesaurus-inspired paintings of a single word and its synonyms. Bochner formally studied under Douglas Wilson and Wilfred Readio, though his eventual style would draw strong influence from the works of Clyfford Still and Jean Dubuffet. Chuck Close reinvented painting with his monumental portraits, rendered with exquisite, exacting realism from photographic sources. Playing with ideas of scale, color, and form, Close has become famous for his rigorous, gridded application of individual color squares, which, although abstract up close, form unified, highly realistic images from afar. “I think most paintings are a record of the decisions that the artist made,” he said. “I just perhaps make them a little clearer than some people have.” Close’s artificially restrictive painting techniques stem

in part from physical limitations—he suffers from an inability to recognize faces, and had a spinal injury in 1988 that left him largely paralyzed. Close is particularly known for his portraits of artists, having depicted Robert Rauschenberg, Cindy Sherman, and Richard Serra, among countless others. His work links him not only with Photorealists but also to Conceptual Art.

from contemporary and historic references. Past projects have addressed pop culture, consumerism, corporate life, and violence, as well as the Persian Empire and ancient Mesopotamia. His works also build upon the artist’s experiences as an IranianAmerican: “I do see the two worlds from both ends—from the East and from the West,” he says. “I can be found somewhere in there.

Damien Hirst Undoubtedly the m