vancouver.ca/publicart. ⢠ourcityourart.wordpress.com. ⢠facebook.com/ ... renewal through the theme of âLife Jour
explore
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Lookout 1999
By Christos Dikeakos and Noel Best, Canada
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Cement, barrels, steel and wood This work is inspired by the railway and cooperage that were in the area in the early 20th century. When the boardwalk planks are stepped on, the barrels overhead release steam and sound.
Stainless steel, glass, and bronze
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Time Top 2006 By Jerry Pethick, Canada
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A False Creek 2012
By Rhonda Weppler and Trevor Mahovsky, Canada Cambie Bridge pilings and Coopers Park Ten painted pilings and 15 lamp posts along seawall The chromatic blue stripes mark the midpoint of the projected rise in sea level according to the Intergovernmental Panel on Climate Change. The artwork reflects on the past, present and future engineering of this shoreline. AFalseCreek.ca
By Al McWilliams, Canada
Black granite fountain
Barnacle-encrusted bronze
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Untitled 2000
The City of Vancouver Public Art Program supports excellence in contemporary art in public spaces throughout the city. The program features emerging and established artists working in new and traditional media through stand-alone commissions and artist collaborations. Learn more about these and other artworks in the Public Art Registry at: • vancouver.ca/publicart • ourcityourart.wordpress.com • facebook.com/vanculture • @VanCultureBC
Boathouse Pedestrian Mews and Marinaside Crescent
Shoreline west of Cambie Bridge Time Top looks like a 1940s-style space ship and represents fantasies of time travel. Its position on the shoreline encourages the idea that it has washed up from the depths of history.
By Alan Storey, Canada
Coopers Mews and Marinaside Crescent
Marinaside Crescent, between Davie and Coopers Mews
The imagery on the shelters and chairs on three balconies overlooking the shoreline walk trace the site’s natural and industrial history.
Coopers Mews 2002
The water emanates from the sculptural form, which might be a lotus flower, wheel or saw blade, all forms relating to the cultural and industrial histories of the area. NOTE: The large red ring gear in the median of Pacific was rescued from the Connaught swing bridge before its 1984 replacement by the current Cambie Bridge.
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Thanks to Joyce Rautenberg for her contribution to this public art walking tour. Photo Credits: Cover Photo, 10 Trevor Mills 1, 2, 3, 5, 7, 11, 13 Tamara Tosoff 4 Gisele Amantea 6, 8 Barbara Cole 9, 12, 14 Photo credits not available
Perennials 1997 By Barbara Steinman, Canada
1088 Cambie (Beatty Mews Plaza) Granite, slate, coloured concrete and glass The forms and texts reference botanical drawings and allude to the ever-changing shifts of the city’s natural and cultural environments. NIGHT OPTION: The unique rain-barrel lights of “Boulevard” (2010) by Adrian Göllner and Pierre Poussin light up Mainland after dark.
Updated: September 2015 15-211
Public Art
Yaletown – False Creek
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This kinetic sculpture responds to environmental conditions 18 AV and transmits weather and tide changes in the form of drawings 19 AV to BusterSimpson.net/brush ANITO BA ST
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Stainless steel, solar panels and transmitter
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OPTION: Walk to the Roundhouse Community Centre along Davie to see “Terra Nova” by Richard Prince, located at the exterior south wall.
By Buster Simpson, USA
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Panels with images from Vancouver’s archives align with the sun to cast shadow images onto the sidewalk on the anniversary of the historic event depicted.
Brush with Illumination 1998
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Six bronze I-beam towers and perforated panels
In the water off David Lam Park
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Street Light 1997
South foot of Davie at False Creek
OPTION: In David Lam Park, west of the Roundhouse, see “Watch Your Step” by Leah Decter. This ceramic tile mosaic by the artist and urban youth portrays growth and renewal through the theme of “Life Journeys.”
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By Alan Tregebov and Bernie Miller, Canada
The installation draws attention to the changing tides of False Creek.
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Marking High Tide and Waiting for Low Tide 1996 Concrete and stones
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The texts along the railing reflect the early language of communications in the Pacific Northwest – English and Chinook jargon, a 19th century lingua franca that developed out of the need for cross-cultural trade.
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From a distance, this work 13 AV appears as a thin, red line. Close up, photographic sequences 14 of AV the interiors of local residences 15 AV are shown in detail.
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Porcelain enamel tiles
Blocks of letters spin from the outflow of the exhaust vents of the underground parkade to randomly spell words.
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Aluminum letters with LED strip
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David Lam Park shoreline
David Lam Park Seawall Extension
Stainless steel
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Shoreline railing between Drake and Davie
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By Don Vaughan, Canada
By Gisele Amantea, Canada
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By Henry Tsang, Canada
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4 Red Horizontal 2005
By Alan Storey, Canada
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Welcome to the Land of Light 1997
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This sculptural water feature highlights a central spiral capped by two slate-lined channels to form an X.
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By Judith Schwarz, Canada
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Pacific Spiral 2003
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Stainless steel, slate and stones
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1408 Pacific at Homer
1300-block PacificSALA between Homer REDB UD LANE L DR and north side 12 Drake, AV
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Footnotes reference the lost history of the False Creek Basin with words interspersed throughout the sidewalk.
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By Gwen Boyle, Canada
Black granite tiles
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Footnotes 1994
1300-block Pacific between Homer and Drake, north side
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Look for temporary artwork at this station produced through the Canada Line Public Art Program or other organizations.
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This public art walk is a circuit that starts and ends at the Yaletown – Roundhouse Canada Line Station. The scenic route goes along Pacific Boulevard and the False Creek seawall.
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Yaletown – False Creek
explore
9
Lookout 1999
By Christos Dikeakos and Noel Best, Canada
12
Cement, barrels, steel and wood This work is inspired by the railway and cooperage that were in the area in the early 20th century. When the boardwalk planks are stepped on, the barrels overhead release steam and sound.
Stainless steel, glass, and bronze
10
Time Top 2006 By Jerry Pethick, Canada
13
11
A False Creek 2012
Cambie Bridge pilings and Coopers Park Ten painted pilings and 15 lamp posts along seawall The chromatic blue stripes mark the midpoint of the projected rise in sea level according to the Intergovernmental Panel on Climate Change. The artwork reflects on the past, present and future engineering of this shoreline. AFalseCreek.ca
By Al McWilliams, Canada
Black granite fountain
Barnacle-encrusted bronze
By Rhonda Weppler and Trevor Mahovsky, Canada
Untitled 2000
The City of Vancouver Public Art Program supports excellence in contemporary art in public spaces throughout the city. The program features emerging and established artists working in new and traditional media through stand-alone commissions and artist collaborations. Learn more about these and other artworks in the Public Art Registry at: • vancouver.ca/publicart • ourcityourart.wordpress.com • facebook.com/vanculture • @VanCultureBC
Boathouse Pedestrian Mews and Marinaside Crescent
Shoreline west of Cambie Bridge Time Top looks like a 1940s-style space ship and represents fantasies of time travel. Its position on the shoreline encourages the idea that it has washed up from the depths of history.
By Alan Storey, Canada
Coopers Mews and Marinaside Crescent
Marinaside Crescent, between Davie and Coopers Mews
The imagery on the shelters and chairs on three balconies overlooking the shoreline walk trace the site’s natural and industrial history.
Coopers Mews 2002
The water emanates from the sculptural form, which might be a lotus flower, wheel or saw blade, all forms relating to the cultural and industrial histories of the area. NOTE: The large red ring gear in the median of Pacific was rescued from the Connaught swing bridge before its 1984 replacement by the current Cambie Bridge.
14
Thanks to Joyce Rautenberg for her contribution to this public art walking tour. Photo Credits: Cover Photo, 10 Trevor Mills 1, 2, 3, 5, 7, 11, 13 Tamara Tosoff 4 Gisele Amantea 6, 8 Barbara Cole 9, 12, 14 Photo credits not available
Perennials 1997 By Barbara Steinman, Canada
1088 Cambie (Beatty Mews Plaza) Granite, slate, coloured concrete and glass The forms and texts reference botanical drawings and allude to the ever-changing shifts of the city’s natural and cultural environments. NIGHT OPTION: The unique rain-barrel lights of “Boulevard” (2010) by Adrian Göllner and Pierre Poussin light up Mainland after dark.
Updated: September 2015 15-211
Public Art
Yaletown – False Creek